one

2 results for (book:ss AND session:523 AND stemmed:one)

SS Part One: Chapter 4: Session 523, April 13, 1970 2/17 (12%) environment script semicolon pall subjugations
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part One
– Chapter 4: Reincarnational Dramas
– Session 523, April 13, 1970, 9:13 P.M. Monday

[... 8 paragraphs ...]

The reasons given for such subjugations matter little in the long run, for the reasons change with the times and with your culture. You are not under a sentence placed upon you for original sin, by any childhood events, or by past-life experience. Your life, for example, may be far less fulfilling than you think you would prefer. You may be less when you would be more, but you are not under a pall placed upon your psyche, either by original sin, Freud’s infancy syndromes, or past-life influences. I will try to explain the past-life influences a bit more clearly here. They affect you as any experience does. Time is not closed, however — it is open. One life is not buried in the past, disconnected from the present self and any future self as well.

[... 1 paragraph ...]

As I explained earlier, the lives or the plays are happening at once. Creativity and consciousness are never linear achievements. In each life you choose and create your own settings or environments; and in this one you chose your parents and whatever childhood incidents that came within your experience. You wrote the script.

[... 5 paragraphs ...]

SS Part One: Chapter 5: Session 523, April 13, 1970 1/24 (4%) speech convey unselfconsciously transmitted words
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part One
– Chapter 5: How Thoughts Form Matter — Coordination Points
– Session 523, April 13, 1970, 9:13 P.M. Monday

[... 12 paragraphs ...]

I am pleased with the beginning of my chapter, for I think I have hit upon an analogy, and a true one, that will release the reader from the artificial bondage of physical form. When he sees it as a method of his own expression, he will realize his own creativeness.

[... 10 paragraphs ...]

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