“Seth material” search engine (Jane Roberts)

I am pleased with the beginning of my chapter, for I think I have hit upon an analogy, and a true one, that will release the reader from the artificial bondage of physical form. When he sees it as a method of his own expression, he will realize his own creativeness.

(10:38. Jane’s trance had been good, her pace rather slow. She said the two-minute pause at the start of the delivery took place because she was consciously “hung up” over how Seth was going to begin Chapter Five. She also realized that if she “just sat there,” Seth would do okay on his own.

(Jane had a lot of images while Seth was speaking. He had the idea for this chapter very clearly in mind, she said; and, with extraordinary vividness, he was “impressing” her with his idea of matter being used as a means of communication. Yet she couldn’t describe the images she had seen.

You may perhaps argue that the book was manufactured physically, and did not suddenly erupt through Ruburt’s skull, already printed and bound. You in turn had to borrow or purchase the book, so you may think, “Surely, I did not create the book, as I created my words.” But before we are finished we will see that basically speaking, each of you create the book you hold in your hands, and that your entire physical environment comes as naturally out of your inner mind as words come out of your mouths, and that man forms physical objects as unselfconsciously and as automatically as he forms his own breath.