“Seth material” search engine (Jane Roberts)

(9:23. Note the semicolon in the first sentence of the above paragraph. Seth requested that I punctuate the sentence just that way. He made such requests often while dictating this book.)

I am pleased with the beginning of my chapter, for I think I have hit upon an analogy, and a true one, that will release the reader from the artificial bondage of physical form. When he sees it as a method of his own expression, he will realize his own creativeness.

(Jane had a lot of images while Seth was speaking. He had the idea for this chapter very clearly in mind, she said; and, with extraordinary vividness, he was “impressing” her with his idea of matter being used as a means of communication. Yet she couldn’t describe the images she had seen.

You may perhaps argue that the book was manufactured physically, and did not suddenly erupt through Ruburt’s skull, already printed and bound. You in turn had to borrow or purchase the book, so you may think, “Surely, I did not create the book, as I created my words.” But before we are finished we will see that basically speaking, each of you create the book you hold in your hands, and that your entire physical environment comes as naturally out of your inner mind as words come out of your mouths, and that man forms physical objects as unselfconsciously and as automatically as he forms his own breath.