now

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SS Part One: Chapter 4: Session 522, April 8, 1970 12/44 (27%) dimensional actors roles three pretend
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part One
– Chapter 4: Reincarnational Dramas
– Session 522, April 8, 1970, 9:13 P.M. Wednesday

Now, good evening.

[... 5 paragraphs ...]

(Jane was taking many more pauses.) The soul or entity is highly individualized spiritual energy. It forms whatever body you now wear, and is the motive power behind your physical survival, for from it you derive your vitality. Consciousness can never be still, but seeks further creativity.

[... 1 paragraph ...]

Not only is the entity strengthened, but portions of it, having been actualized in three-dimensional existence, now add to the very quality and nature of that existence. Without this creativity, planetary life in your terms would always be sterile. The soul or entity then gives breath to the body, and to the three-dimensional self within it. The three-dimensional self then goes about its purpose of opening up new areas of creativity.

[... 2 paragraphs ...]

Now you may take your break and we shall continue.

[... 1 paragraph ...]

Now: You are learning to be cocreators. You are learning to be gods as you now understand the term. You are learning responsibility — the responsibility of any individualized consciousness. You are learning to handle the energy that is yourself, for creative purposes.

[... 8 paragraphs ...]

(10:29.) The soul or entity, then, is not the self that reads this book. Your environment is not simply the world about you as you know it, but also consists of past-life environments upon which you are not now focusing. Your real environment is composed of your thoughts and emotions, for from these you form not only this reality but each reality in which you take part. (Long pause.)

[... 2 paragraphs ...]

Now you may take your break.

(10:36. Jane’s trance had been deeper this time. “I know I wasn’t in as deep the first time,” she said, “because I heard that siren.” A fire engine had passed a couple of blocks away from our house at about 9:30; only now did Jane remember to tell me she’d heard it. “I worry when I hear things like that while Seth’s writing his book. I don’t want to mess anything up….”

[... 1 paragraph ...]

Now, pretend that you are on a lighted stage, the stage being the room in which you now sit. Close your eyes and pretend that the lights have gone out, the setting has disappeared and you are alone.

Everything is dark. Be quiet. Imagine as vividly as you can the existence of inner senses. For now pretend that they correspond to your physical ones. Clear from your mind all thoughts and worries. Be receptive. Very gently listen, not to physical sounds but to sounds that come through the inner senses.

[... 1 paragraph ...]

(10:58.) Pretend that you have been blind to this world all your life, and are now slowly gaining sight within it. Do not judge the whole inner world by the disjointed images that you may at first perceive, or by the sounds that you may at first hear, for you will still be using your inner senses quite imperfectly.

[... 2 paragraphs ...]

Ten minutes a day to begin with is quite sufficient. Now the information in this book is being directed to some extent through the inner senses of the woman who is in trance as I write it. Such endeavor is the result of highly organized inner precision, and of training. Ruburt could not receive the information from me, it could not be translated nor interpreted while she was focused intensely in the physical environment. So the inner senses are channels that provide communication between various dimensions of existence. Yet even here the information must be distorted to some extent as it is translated into physical terms. Otherwise it would not be perceived at all.

[... 8 paragraphs ...]

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