“Seth material” search engine (Jane Roberts)

(Pause at 9:24.) Now stated simply, time is not a series of moments. The words that you speak, the acts that you perform, appear to take place in time, as a chair or table appears to take up space. These appearances however are a part of the complicated props that you have set up “beforehand,” and within the play you must accept these as real.

Each of you are now involved in a much larger production, in which you all agree on certain basic assumptions that serve as a framework within which the play can occur. The assumptions are that time is a series of moments one after another; that an objective world exists quite independently of your own creation and perception of it; that you are bound within the physical bodies that you have donned; and that you are limited by time and space.

The plays seem to be taking place one before the other, and so these communications seem to intensify the false idea that time is a series of moments, passing in a single line from some inconceivable beginning to some equally inconceivable end.

There is great cooperation behind such momentous productions, and in playing his role, each actor first actualizes himself within three-dimensional reality. The multidimensional self cannot act within three-dimensional reality until it materializes a portion of itself within it. Do you follow me?

End of dictation. Now give us a moment.