1 result for (book:ss AND session:521 AND stemmed:here)

SS Part One: Chapter 4: Session 521, March 30, 1970 3/64 (5%) actor play multidimensional production role
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part One
– Chapter 4: Reincarnational Dramas
– Session 521, March 30, 1970, 9:08 P.M. Monday

[... 23 paragraphs ...]

(9:51. Jane left trance quickly. “Wow,” she said, “Seth’s going to have an awful lot to say about that — I can feel it up here.” She touched her forehead. “Every so often I get a huge sweep of something that I can’t put into words; do you know what I mean? But he’s going to break it down for us.

(“It’s funny,” she continued, “I didn’t feel particularly psychic tonight but the material’s good. That’s happened before, too. When there’s someone here that I don’t like, or they turn me off for some reason, then we won’t have a session — the material won’t come through. But I don’t need to feel psychic when we’re here alone; the material just comes through no matter what, and it’s always good.”

[... 4 paragraphs ...]

Though I use the analogy here of a drama, these “plays” are highly spontaneous affairs in which the actors have full freedom within the play’s framework. And granting these assumptions that have been stated, there are no rehearsals. There are observers, as you will see later in our book. As in any good theatre production, there is an overall theme within each play. The great artists, for example, did not emerge out of a particular time simply because they were born into it, or (because) the conditions were favorable.

[... 33 paragraphs ...]

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