2 results for (book:ss AND heading:introduct AND stemmed:oper)

SS Introduction chapter book unconscious mine Rob

Because of my own writing experience, I’m also well aware of the process involved in translating unconscious material into conscious reality. It’s particularly obvious when I’m working on poetry. Whatever else is involved in Seth’s book, certainly some kind of unconscious activity is operating at high gear. It was only natural, then, that I found myself comparing my own conscious creative experience with the trance procedure involved in Seth’s book. I wanted to discover why I felt that Seth’s book was his, as divorced from mine. If both were coming from the same unconscious, then why the subjective differences in my feelings?

I accept Seth’s idea of multidimensional personality as described in this book because my experiences, and those of my students seem to confirm it. I also think that in that open system of consciousness and unlimited source, there is an independent Seth who operates in quite different terms than we do.

SS Part Two: Chapter 22: Session 588, August 2, 1971 pope bells Rome donkeys occupations

Using your historical reference, I returned at the time of the cavemen, operating as a Speaker. [...]