3 results for (book:ss AND heading:introduct AND stemmed:mine)
The next chapter will describe my work, and those dimensions of reality into which it takes me, for as I travel into your reality I also travel into others, to fulfill that purpose which is mine to fill.
Now this is my outline for the book, but it contains merely a sketch of my intentions. I am not giving a fuller outline, for I do not want Ruburt to anticipate me. The difficulties involved in such communications will be given thoroughly. It will be made clear that so-called paranormal communications come from various levels of reality, and that those communications describe the reality in which they exist. So I will describe mine, and others of which I have knowledge.
Because of my own writing experience, I’m also well aware of the process involved in translating unconscious material into conscious reality. It’s particularly obvious when I’m working on poetry. Whatever else is involved in Seth’s book, certainly some kind of unconscious activity is operating at high gear. It was only natural, then, that I found myself comparing my own conscious creative experience with the trance procedure involved in Seth’s book. I wanted to discover why I felt that Seth’s book was his, as divorced from mine. If both were coming from the same unconscious, then why the subjective differences in my feelings?
I’m alert, yet open and receptive — suspended in a strange psychic elasticity between poised attention and passivity. The particular poem or idea is the only thing in the world for me at that point. The highly personal involvement, the work and play involved in helping the idea “out,” all make the poem mine.
I hope that in one way or another this book of mine has served to give each of you an introduction to the inner multidimensional identity that is your own.