1 result for (book:sdpc AND heading:prefac AND stemmed:program)
[... 2 paragraphs ...]
During the interview Jack asked me if Seth would come through. I replied that it was up to Seth. Actually, since I hadn’t gone into trance on any other programs, I doubted I would now. Instead, Jack began to play a taped Seth session. As I heard those deep resonant tones of his, I knew that Seth was present.
[... 2 paragraphs ...]
When I came out of trance, Rob was smiling, Jack and Sonja looked dazed, the camera crew were staring at me and the program was over. “Seth was great,” Rob said to me. I was overwhelmed with relief. It was over, then; Seth had come through on television. Hadn’t I alternately hoped that he would and been reluctant at the same time?
[... 2 paragraphs ...]
A small group surrounded us — the producer and assistant producer, Jack, Sonja and the camera men. I looked at Rob with a touch of dismay because while I’d reassured Jack that everything was quite normal, actually something was different this time: I felt as if I’d been in a plane going incredibly fast, only to be yanked suddenly to a halt. Such a tremendous amount of energy surged through me that I didn’t know what to do. For a moment it sent me reeling, and Jack caught my arm. This only embarrassed me further. I could feel my cheeks flush. I always tried to behave very sensibly to show that a trance was not a strange but a very natural phenomenon, and so my momentary stagger caught me by surprise. Rob was beside me in a moment, and I explained how I felt. A taxi was already waiting to take us to our next show, a radio program. I grabbed my bun and coffee and took them with me.
What actually happened while I was in trance? Jack and Sonja described some of the session to me in our brief conversation afterward, and Rob filled me in as we rushed to the next program.
[... 2 paragraphs ...]
After the program, Sonja said that the character analysis given along with the reading described her beautifully. She also told us that she had used both color and fabric to communicate with children on an educational television program — a fact unknown to us.
A few day’s later, I received a long distance call at home from a woman who told me that Seth’s appearance on the “Today’s Woman Show” convinced her of life after death, though she had never believed in it before. She also said that listening to Seth had been the most profound religious experience of her life, although Seth had not talked in specific religious terms. Since then, we have received many calls, letters and visits from people who saw that show. They were astonished by the program, yet in a strange way, so was I. It taught me several things.
Above all, it deepened my trust in Seth and in his psychological insight and impressed me once again with the remarkable abilities of the inner intuitive self, for it is this part of me that makes communication with Seth possible. For another thing, because of the program format the trance was cut short, and this gave me the opportunity to study the trance phenomenon from a different angle.
[... 1 paragraph ...]
People have often asked me how I know when Seth is present, and I have had some difficulty in answering. Examining my feelings after the program and finding myself face to face with that energy, I realized that the same sort of energy, to a lesser degree, is one of my main cues that Seth is ready to come through.
[... 1 paragraph ...]
I was disappointed that I wasn’t able to see the television program, because I’ve never seen myself as Seth in trance except in a few photographs. Seth manifests through me, addressing himself to others who feel the impact of his personality, but I can’t see this as they do from the outside, objectively. To observers, Seth’s otherness from me is apparent in the way the open eyes are used, in the gestures and rearrangement of facial patterns. We simply use the body in a different way.
[... 39 paragraphs ...]