8 results for (book:sdpc AND heading:introduct AND stemmed:valid)

SDPC Introduction Valerie metaphor grief hospital death

My own imperfect recollection following Tam’s request that I look for it was that Seth, Dreams … was an unfinished collection of records, ideas, and chapters that Jane had struggled with for several years, without selling it. Instead, what I found in a box in the basement was, to my amazement, a completed manuscript — a full book ready to go, one as fresh as it had ever been, and my wife had struggled with it. What emerged as Laurel Davies and I searched Jane’s and my records, including early Seth sessions, was a long story of our doubts and gropings in an area in which we had no guidance except for our own explorations. Seth, Dreams … was rejected by three major publishers while Jane worked on it during 1966-67. She was still an unknown in the field; by mid-1966 she’d had only one small psychic book, How to Develop Your ESP Power, published. Our subject of interest itself was largely denied validity by the social, psychological, and scientific establishments. We were still operating alone, then, even though Jane had been speaking for Seth for about three years. In spite of all of her questions, however, her strong creative vitality — her intuitive insistence upon using her most unusual abilities — kept her focusing ahead, and I helped her as much as I could. I’m still astonished when I think of what Jane was to accomplish in the next few years.

My hospital adventure is still symbolic and literal to me in the most intimate of terms. It’s made me think often about the tremendous variety of reassurances the “dead” can choose to offer the “living.” A number of Jane’s readers have sent me communications they claim to have received for me from Jane in her after-death state. I’m making a collection of these for study. In the midst of my sorrowing for my wife, how did I — and how do I — know which of the communications are really from her? Or whether any portions of some of the messages may be? I soon learned that in each case I had to rely upon my own sensual and psychic equipment to intuitively know what to believe, or to be moved by, sometimes to the point of tears. Obviously, I can judge my feelings about what’s right and not right in my own experiences with a discarnate Jane much more easily than I can gauge the outside of someone else’s communication. But since I believe the Seth Material is valid, it would be very arrogant of me to think that none of Jane’s readers except me had legitimately tuned into her where she is now or perhaps touched upon her world view.

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] Their purpose, of course, is to enable the conscious personality to recognize as valid, camouflage patterns that are only valid under certain conditions.

[...] Part of the subconscious fantasy in the dream was valid, representing a watered-down version of the actual communicationfor example, Miss Cunningham’s dark apparel.

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] Had this been a valid contact within the interior universe or unconscious playacting? [...]

Seth went on to explain that the more camouflage (physical dimensions) an art object had, the less its validity to the inner senses.

SDPC Part Two: Chapter 8 breathes Rob dishes Who admit

[...] I could reconcile a mental voice as a valid and quite safe mechanism of the creative subconscious, as I liked to call it — but an image next to me in the kitchen while I did the dishes? [...]

[...] He automatically translates inner data given by me into coherent, valid and faithful camouflage patterns. [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

That night, Seth emphasized only the importance of inner reality and the validity of the inner senses that made nonphysical knowledge available whenever we were ready to admit it. [...]

[...] We were to discover that the dream universe was far more valid than we had ever supposed, but what Seth said then sounded like nothing we had ever read or heard before.

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

[...] Almost from the beginning, however, I did anticipate what the board was going to “say,” and the poem is as valid as any strictly factual statement I could make about those sessions — if not more so.

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

[...] The validity of their information may be excellent. [...]

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

[...] In fact, the analogy of a plane with an emotional state is much more valid than the analogy between a plane and a geographical state, particularly since emotional states take up no room or space.