8 results for (book:sdpc AND heading:introduct AND stemmed:univers)

SDPC Introduction Valerie metaphor grief hospital death

October 13, 1984. Jane has been dead for thirty-eight days. It has finally come to me that the dark tunnels of those streets I run on, with their mysterious implications of the unknown, and the fear of the dark that such streets can generate, are physically oriented metaphors for the transition Jane has made to another reality. In our terms, the tunnel shapes lead to an unfathomable new reality that is supposedly filled with the light of the universe. That light is symbolized by the streetlights shining through the tunnels every so often, and hinting at that great brilliant reality beyond. This metaphor is particularly apropos at this time, with the trees still carrying their thick growth of leaves — yet later in the fall it may become even more applicable as the leaves drop and the streetlights, poor as they may be in comparison to the light of the universe, can shine through a little more brilliantly.

There’s little I can say that will offer comfort to you about your mother’s death. On the other hand, I can say everything — for her life encompassed the world, the universe, just as much as yours does, or mine, or Laurel’s. She lives then, as I’m sure you know. From my own experience I can say that she’ll surely communicate with you, expressing new and unfathomable facets and attitudes of the universe — always brilliant, perhaps inexpressible in ordinary terms, yet reaching you and touching in unexpected ways. I think I know my own parents better now than I did when they were ‘living.’ I understand so much more about them now, and with compassion see and feel their strivings and hopes, loves and successes and failures in ways I was not consciously aware of before. I think this kind of heightened knowledge and awareness always comes to those still ‘living’ — but also, that those who have ‘died’ are more alive and adventurous than ever, and at least sometimes in ways we just cannot comprehend. I know this is the case with Jane. So, I think, it will be with you and your mother and father. My love to you and your son.

I couldn’t believe it when I realized that my wife had been dead for a week. As I lived and worked in it, our house looked the same as it ever had. In spite of my sorrow, I presented a cheerful face to the world; I talked and joked, and did everything I was supposed to do. I also discovered what must be a very common phenomenon: Those who knew of Jane’s passing became instantly self-conscious when we met. I felt their embarrassment at their damned-up sympathies, and their fear of the same thing happening to them. They didn’t want to hurt me further. Amazingly, I found myself offering comfort to them, to help them surmount such barriers so that we could talk. My visitors reminded me anew of how private an event Jane’s death is for me, yet how universal it is. How many uncounted quadrillions of times has that transference from “life” to “nonlife” taken place just on our planet alone? And I don’t believe that anyone has tried to cope with questions of life and death any more valiantly than Jane did.

‘The glowing, very beautiful and alive grass also represents Jane’s new reality. The bridge arching over the lawn symbolizes another connective between that universe and my physical one. Jane doesn’t ask me to cross the bridge now. I think that the structure also stands for the ‘psychological bridge’ upon which she met Seth during her sessions with him. (Seth wasn’t in this experience, however.)

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] Had this been a valid contact within the interior universe or unconscious playacting? [...]

Your scientists are correct in supposing that the universe is composed of the same elements that can be found in your plane. [...]

Since very often the vitality or stuff of the universe seems as innocuous as air … then look for what you do not see. [...]

[...] Therefore, you will come up against the basic stuff of the universe and feel its effects, though your physical senses will not necessarily perceive it.

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

[...] The mental enzymes act upon the vitality, which is, as I told you, the structure of the universe itself. [...] The mental enzymes are the tools, and the vitality is the actual material that forms the universe as a whole, the apparent divisions within it, the apparent boundaries between the systems and the diverse materials within each division. [...]

Introduction to the Interior
Universe

This is the first of several key sessions included in this portion of the book as introductions to the interior universe. [...]

[...] The mental enzymes are the same, basically, throughout the universe, but their materializations on any particular plane are determined by the properties inherent in the plane itself.

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

Further Steps into the Interior Universe

[...] I have quoted parts of it in other books, yet the analogy Seth gave us is such an excellent introduction to the interior universe and to his ideas that it is almost indispensable. [...]

[...] So, in a like manner, the wires that we constructed are real to us in the universe, although … to me, the walls are transparent. [...]

Again, if you will consider our maze of wires, I will ask you to imagine them filling up everything that is, with your plane and my plane like two small birds nests in the netlike fabric of some gigantic tree … Consider, for example, that these wires are also mobile, constantly trembling and also alive, in that they not only carry the stuff of the universe but are themselves projections of this stuff, and you will see how difficult it is to explain. [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

The Dream Universe

[...] For your friend’s sake, I will say this as simply as possible: Human consciousness was inherent and latent from the beginning of your physical universe. [...]

[...] Later you will learn to use these energies well and to draw energy from the basic vitality of the universe.

[...] We were to discover that the dream universe was far more valid than we had ever supposed, but what Seth said then sounded like nothing we had ever read or heard before.

SDPC Part Two: Chapter 8 breathes Rob dishes Who admit

If man does not know who breathes within him, and if man does not know who dreams within him, it is not because there is one self who acts in the physical universe and another who dreams and breathes. [...]

As breathing is carried on in a manner that seems automatic to the conscious mind, so the important function of transforming the vitality of the universe into pattern units seems to be carried on automatically. [...]

I cannot say this too often — you are far more than the conscious mind, and the self which you do not admit is the portion that not only insures your own physical survival in the physical universe which it has made, but which is also the connective between yourself and inner reality. [...]

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

Animals and Trees in the Interior Universe
Excerpts from Sessions 17 and 18

The ego is the tool by which the hidden self manipulates in the physical universe. [...]

The interior universe had its influence even as far as pets were concerned! [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

And while I persisted in my uncertainity, Seth continued to explain the nature of the interior universe, giving clues and hints that I would eventually follow, laying down the framework that would allow me to deal with precisely those questions that concerned me.