3 results for (book:sdpc AND heading:introduct AND stemmed:transit)

SDPC Introduction Valerie metaphor grief hospital death

October 13, 1984. Jane has been dead for thirty-eight days. It has finally come to me that the dark tunnels of those streets I run on, with their mysterious implications of the unknown, and the fear of the dark that such streets can generate, are physically oriented metaphors for the transition Jane has made to another reality. In our terms, the tunnel shapes lead to an unfathomable new reality that is supposedly filled with the light of the universe. That light is symbolized by the streetlights shining through the tunnels every so often, and hinting at that great brilliant reality beyond. This metaphor is particularly apropos at this time, with the trees still carrying their thick growth of leaves — yet later in the fall it may become even more applicable as the leaves drop and the streetlights, poor as they may be in comparison to the light of the universe, can shine through a little more brilliantly.

SDPC Part Two: Chapter 8 breathes Rob dishes Who admit

[...] With no transition or advance notice, a vision appeared to him. [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] Seth was right; I had grown anxious wondering just when to dispense with it in a session and let him speak, yet it represented something solid and real that helped the transition take place. [...]