4 results for (book:sdpc AND heading:introduct AND stemmed:toward)

SDPC Introduction Valerie metaphor grief hospital death

Then I was in an elevator car inside the building, and rising toward the house on the roof. Jane wasn’t with me. Another, older lady was having trouble repairing a small mechanism that was fastened to the wall beside the car’s door. I offered to fix it for her; this involved my turning some large screws into place by hand. While I was doing so, the elevator stopped at a floor and the door opened. The lady left, and I hurriedly inserted the last few screws while the door stayed open. Just as I finished — or perhaps nearly so — the door began to close. I leaped toward it. I wedged my shoulder between the door and its frame and forced the door open enough so that I could squeeze out into a hallway of the hospital. The door shut behind me.

I don’t care for the term “channeling,” since I think it too all-inclusive and already trite. However, I liked both Jim’s ideas of my doing the Preface for Jane’s book, and of publishing a photo of her. And Laurel Lee Davies, the young lady who’s now helping me carry on my publishing activities, at once intuitively picked out from my files the one right photograph of Jane to us for Seth, Dreams … Jane’s father, Delmer Roberts, took the snapshot when she was on vacation with him in Baja, California in 1951. She was twenty-two years old. Jane and I didn’t meet until 1954. That little picture, then, was taken some twelve years before she began “coming through” with the Seth material. Yet, I find in it all of the ingredients that made up the Jane I knew — her great beauty, personality and creativity, her love of manipulating within her physical environment; I see her “steering herself” toward extraordinary accomplishments.

‘My bursting out of the elevator car, which was lifting me toward the house on the roof of the hospital building, and a new reality, is a close thing as I force my way free. I’m delayed by fixing the mechanism; repairing it means I still have things to do on the earth, as does the lady who was with me in the car. My almost waiting too long to get out of the car also stands for my grief for Jane, and for my intense questioning and speculating about ‘where she is’ now. I’m sure that she lives. I want to know more — yet I’m not ready to die now in order to find out. I feel sad, writing this and thinking of her.

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

Then, toward the end of the session, Seth made a suggestion about our living quarters. [...]

This portion is ‘turned toward’ the entity. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] I mentioned this experience briefly in How To Develop Your ESP Power, but here I’m including Rob’s notes which provide a fuller version of the event and our attitude toward it at the time.

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

What happens is this: When the ‘flying saucer’ starts out toward its destination, the atoms and molecules that compose it (and which are themselves formed by vitality) are more or less aligned according to the pattern inflicted upon it by its own territory. [...]