4 results for (book:sdpc AND heading:introduct AND stemmed:tear)

SDPC Introduction Valerie metaphor grief hospital death

A block to the west of the hill house, the main road drops straight down into the outskirts of Elmira. Opening off the road to the left like a series of steps are short, level sidestreets upon which I often run late at night. In the beginning the running helped me physically handle my grief over Jane’s passing; I cried often as I ran, and tried to comprehend where she is now. I’m a natural runner, but had been unable to do more than a little jogging in recent years because of the pressures of work and of taking care of Jane as she became more and more ill. After her death I could run nightly if I chose to. I find that activity still secret and evocative. The streets are lined with trees arching up to meet overhead; periodically those intersecting patterns of leaves and branches are punctuated by bursts of light from the streetlamps. At certain times the moon follows me along in its phases. The only sounds might be the wind in the treetops and the chug-chug of my shoes on the asphalt. A dog may bark in the distance. When I do it right I float effortlessly along. And amid my tears I finally permitted the obvious to become obvious to me. The following is revised from my entry in my grief notebook.

My hospital adventure is still symbolic and literal to me in the most intimate of terms. It’s made me think often about the tremendous variety of reassurances the “dead” can choose to offer the “living.” A number of Jane’s readers have sent me communications they claim to have received for me from Jane in her after-death state. I’m making a collection of these for study. In the midst of my sorrowing for my wife, how did I — and how do I — know which of the communications are really from her? Or whether any portions of some of the messages may be? I soon learned that in each case I had to rely upon my own sensual and psychic equipment to intuitively know what to believe, or to be moved by, sometimes to the point of tears. Obviously, I can judge my feelings about what’s right and not right in my own experiences with a discarnate Jane much more easily than I can gauge the outside of someone else’s communication. But since I believe the Seth Material is valid, it would be very arrogant of me to think that none of Jane’s readers except me had legitimately tuned into her where she is now or perhaps touched upon her world view.

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] My eyes brimmed over with tears. [...]

The idiot cries.
The tears slosh inside his boots.
The people say he’s bats
Because he weeps
When the police shoot down the starlings
Aiming at the tall-eyed trees.

“Do unto others, I tell you.”
He wanted to say more
But they carted him off.
The good people laughed.

On the ground was a puddle
Of the idiot’s tears.

She’d almost tear the apartment apart looking for the threatening letter that she was sure had come in the mail. [...]

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

[...] Nor can I blame you for growing tired when after asking you to imagine this strange structure, I then insist that you tear it apart, for it is no more actually seen or touched than is the buzzing of a million invisible bees.

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] Yes,” I said, near tears. [...]