4 results for (book:sdpc AND heading:introduct AND stemmed:statement)

SDPC Introduction Valerie metaphor grief hospital death

Aside from the obvious reassurances Jane is quoted as offering to me, as a physical creature, I could comment extensively upon some of the other points she makes — especially the two I briefly refer to below; the reader may enlarge upon portions of the message also, depending upon what he or she understands of the Seth-Jane philosophy. Jane remarked, “Yet, I have changed enough since ‘my death’ that it is difficult, at times, to relate to your existence.” And, “My love for you has not changed but expanded in a way you do not comprehend.” How interesting these statements are! Does Jane contradict herself in them? No — yet the meanings within them require intuitive exploration and conscious comprehension. They’re very personal observations that at the same time echo that mystery of life I’m always referring to. I was quite aware of those statements and their implied challenges in connection with the ingredients I bring together in the next paragraph.

“To me,” Jim wrote, “it would be a special opportunity for you to make whatever statement you might wish about Jane and her work. It would also be nice for the many readers of Jane’s books to have a chance to hear from her partner, who so beautifully and critically assisted in the birthing of the Seth books.

As soon as I took Jim Young up on his word that I could make whatever statement I want to about Jane’s work, I knew that this Preface would contain relatively little about Seth, Dreams and Projection of Consciousness itself, and I wrote to Jim about this. The book stands perfectly well on its own. These notes, then, will contain material not only about Jane, but my own involvement with her, her work, and her death. I trust that even though physically she’s no longer with me, my wife agrees with my choices, for she helped me learn that the one truly unique thing I have to offer the world is my own creation of it.

So if I insist that I’ve communicated with Jane at times, then I’m obligated to consider statements from others claiming the same thing. But in ordinary terms, even if my wife’s death has left me more open and vulnerable to psychic possibilities, I still shrink from offering any sort of blanket assurance. (“Yes, I’m convinced that you have reached Jane, just as I have.”) I’m not contradicting myself when I note that perhaps — and I’ve suspected for a long time that ultimately this is correct — it is true that on some far levels of consciousness and communication that we do not (or even cannot) understand at this “time,” each person who is so inclined to do so has at least touched a Jane who responded clearly enough. She will continue to do so. In this view, those elements in such messages that have no meaning for me can be only distortions on the part of the medium or the letter-writer or the poet. I do think that communication among entities, whether they’re physical or nonphysical, is always going on, and from every conceivable angle and in every way. Hardly a new thought, yet grasping it, or even speculating about it, is to touch upon a portion of the mystery of life. (And from where you are, Jane, what do you think of my very cautious approach?)

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

(This statement, Jane told me, made Seth angry. [...] At its end will be found a copy of Mark’s statement.)

[...] I’ll tell you, I’ll make out a statement to that effect.”

“What will I call, uh, Seth, in my statement?” Mark asked and Seth interrupted,

[...] I do not want to hurt Ruburt’s feelings, and I have avoided making this statement thus far, but I have been emotionally more involved with you in past existences [than with Ruburt]. [...]

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

I have described those early sessions elsewhere, but here I’m including, instead, a poem that is a dramatic, intuitive statement about my feelings at the time. [...] Almost from the beginning, however, I did anticipate what the board was going to “say,” and the poem is as valid as any strictly factual statement I could make about those sessions — if not more so.

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

While writing out this statement, I’m reminded that I experienced a milder version of the same sensation last month, while I was working at my part-time job in the art department of a local greeting card company. [...]