3 results for (book:sdpc AND heading:introduct AND stemmed:specif)

SDPC Introduction Valerie metaphor grief hospital death

In more specific terms, I’m organizing this rather short exploration of Jane’s death around these items; a loose chronology surrounding her writing of Seth, Dreams … in 1966-67, and our unsuccessful attempts to sell the book; my acceptance of the survival of the personality after physical death; a waking experience involving my sensing Jane very soon after she had died; a metaphor I created for her death; a dream in which I not only contacted her but gave myself relevant information; another metaphor for Jane’s death; my speculations about communication among entities, whether they’re physical or nonphysical; a letter that could be from the discarnate Jane — one that was sent to me by its recipient, a caring correspondent whom I’ll call Valerie Wood; a note I wrote to Sue Watkins about the death of her mother; some quotations from a published letter of mine; Jane’s notes concerning the relationship we had; and, finally, the poem in which she refers to her nonphysical journeys to come.

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

While there was no specific entry point as far as human consciousness was concerned, there was a point (in your terms) where it did not seem to exist. [...]

[...] “But the answers were just too specific, too on time, too direct. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

“I wish he’d get more specific about the inner senses,” I said after I had read the session. [...]