8 results for (book:sdpc AND heading:introduct AND stemmed:show)

SDPC Introduction Valerie metaphor grief hospital death

“Finally, [I ask] if you have a photo of Jane that you particularly enjoy that we can use on the flap. Once again, many of her fans would enjoy such a photo as a personal remembrance. It would also [let] us show a photo that does not exploit her channeling. Incidentally, this photo need not be recent. Simply one that you like.”

Along with my conscious contacts with Jane, I created a number of metaphors, or implied comparisons, revolving around her death. I’ll describe one now and work in another one later. These constructs, which are sometimes quite effortless, show how I began to express my longing for my wife very creatively even during a time of great stress. I’ve often become aware of the one to follow; it reminds me of certain speculations and truths that I think will always be with me.

I may be projecting my own fears here, but I don’t agree with the scientific rejection of all portions of the schemata listed above. The objections don’t feel right to me. They question not only Valerie’s sincerity and performance but my own, as well. I keep thinking about the twenty years of ideas and study that Jane and I put into the Seth Material. Surely my contacts with her, and the work of gifted, dedicated people like Valerie, show us human potential in very challenging ways, hinting at how much we have yet to learn about our individual and collective consciousnesses. And out of my own selfish need and longing for my wife, who is dead, I want people to read her books so that they can understand her great contributions.

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] Although obviously not intelligent, she showed an awareness of her comparative ignorance, and she regarded education as important.

[...] However, the elements that they know are, of course, camouflage patterns, that may show themselves in a completely different form somewhere else.

[...] A chemical imbalance in a physical body will also show itself as a corresponding distortion of sensual data. [...]

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

[...] Seth showed us in the next session that not only animals but all living things had their primary existence in this inner world. [...]

[...] Your condition following this and your first exercise bout should show you how badly you were in need of the treatment. [...]

[...] The tree has enough sense not to show blossoms in a blizzard.

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

She stayed here several months, without ever showing any signs of violent behavior. [...]

[...] Then why didn’t I show up in it? [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] The session was actually a breakthrough in many respects, as these excerpts will show. [...]

[...] I give you this slight evidence of my humor, Joseph, simply to show you that I am not, after all, one to carry grudges.

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

[...] “Even that would show the mind’s fantastic abilities. [...]

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

[...] As the session shows, Seth apparently decided that it was time to take me in hand. [...]

As for the writing, it was by an unorganized, unformed, possible personality of Ruburt’s that merely took the opportunity to show itself and supercede the strong hand that has always dominated it. [...]

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

[...] Only one experiment using the tape recorder showed us that our usual procedure was the best one. [...]

[...] The session notes show his condition quite clearly, though. [...]