4 results for (book:sdpc AND heading:introduct AND stemmed:shape)
October 13, 1984. Jane has been dead for thirty-eight days. It has finally come to me that the dark tunnels of those streets I run on, with their mysterious implications of the unknown, and the fear of the dark that such streets can generate, are physically oriented metaphors for the transition Jane has made to another reality. In our terms, the tunnel shapes lead to an unfathomable new reality that is supposedly filled with the light of the universe. That light is symbolized by the streetlights shining through the tunnels every so often, and hinting at that great brilliant reality beyond. This metaphor is particularly apropos at this time, with the trees still carrying their thick growth of leaves — yet later in the fall it may become even more applicable as the leaves drop and the streetlights, poor as they may be in comparison to the light of the universe, can shine through a little more brilliantly.
To me, even thinking about an entity who has died is a form of communication with the essence of that departed one, whatever its nature, shape, and complexity “was.” We must have much to consciously learn here. Imagine our planet swinging through its orbit independently of the sun’s illumination. I’ve often thought that if each birth and each death was signalled by a flash of light, an observer in space would see an earth that was always bathed in a flickering gentle glow because of all of the activities of consciousness going on there. What a profound and revealing sight that would be!
What they do is take quick glimpses of your plane — and hold in mind that the saucer or cigar shape seen within your system is a bastard form having little relation to the structure at it is at home base. [...]