1 result for (book:sdpc AND heading:introduct AND stemmed:sell)
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In more specific terms, I’m organizing this rather short exploration of Jane’s death around these items; a loose chronology surrounding her writing of Seth, Dreams … in 1966-67, and our unsuccessful attempts to sell the book; my acceptance of the survival of the personality after physical death; a waking experience involving my sensing Jane very soon after she had died; a metaphor I created for her death; a dream in which I not only contacted her but gave myself relevant information; another metaphor for Jane’s death; my speculations about communication among entities, whether they’re physical or nonphysical; a letter that could be from the discarnate Jane — one that was sent to me by its recipient, a caring correspondent whom I’ll call Valerie Wood; a note I wrote to Sue Watkins about the death of her mother; some quotations from a published letter of mine; Jane’s notes concerning the relationship we had; and, finally, the poem in which she refers to her nonphysical journeys to come.
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My own imperfect recollection following Tam’s request that I look for it was that Seth, Dreams … was an unfinished collection of records, ideas, and chapters that Jane had struggled with for several years, without selling it. Instead, what I found in a box in the basement was, to my amazement, a completed manuscript — a full book ready to go, one as fresh as it had ever been, and my wife had struggled with it. What emerged as Laurel Davies and I searched Jane’s and my records, including early Seth sessions, was a long story of our doubts and gropings in an area in which we had no guidance except for our own explorations. Seth, Dreams … was rejected by three major publishers while Jane worked on it during 1966-67. She was still an unknown in the field; by mid-1966 she’d had only one small psychic book, How to Develop Your ESP Power, published. Our subject of interest itself was largely denied validity by the social, psychological, and scientific establishments. We were still operating alone, then, even though Jane had been speaking for Seth for about three years. In spite of all of her questions, however, her strong creative vitality — her intuitive insistence upon using her most unusual abilities — kept her focusing ahead, and I helped her as much as I could. I’m still astonished when I think of what Jane was to accomplish in the next few years.
Jane began dictating Seth Speaks in January 1970. In March, Tam signed her to a contract for Seth, Dreams … on behalf of Prentice-Hall. The Seth Material was published. Jane was on a creative roll. She kept changing and adding to the portions of Seth, Dreams … that she hadn’t used in The Seth Material, while at the same time her new work kept crowding it out. Finally, in 1971 Tam converted her contract for Seth, Dreams … into one for Seth Speaks. Jane didn’t keep on trying to sell Seth, Dreams … Neither did I, and somehow that perfectly good book ended up packed away. Tam left Prentice-Hall for other employment in 1982; he became my agent after Jane’s death in 1984. When at his request I rediscovered Seth, Dreams … three months ago, and examined it, I couldn’t believe that that finished manuscript had never been published. I’m most pleased that Jim Young accepted it at once for Stillpoint Publishing — just as I know Jane is!
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