2 results for (book:sdpc AND heading:introduct AND stemmed:scene)

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

It was a strange time. The assassination of JFK took place just after our sessions began. The familiar physical world did not seem to be a very secure place. The old ways of thought were bringing appalling fruits. An uneasy December followed — bitter and dreary and discouraging on the national scene — and locally the weather was dark, with snow piled high. And yet, inside our small, lighted living room, we both felt we were making important inroads, gaining invaluable insights and finding a point of sanity amid a chaotic world.

For me, the episode was amazingly vivid, the scenes clear and bright in my mind’s eye. It was something like attending an inner movie. (Or, someone might say, like dreaming vividly while awake.) But, for me, then, it was simply a completely new state of consciousness and awareness, a psychological experience like none I’d known before.

I kept seeing more. I would think that I was telling Rob about each scene as I saw it, but then he would ask a question, and I’d realize that I hadn’t said a word for some time.

“What crops did they grow?” he asked, and I tried to rouse myself enough to keep on speaking while still retaining focus on these strange shifting scenes.

SDPC Introduction Valerie metaphor grief hospital death

[...] The whole scene was one of change and energy and mystery.