6 results for (book:sdpc AND heading:introduct AND stemmed:run)

SDPC Introduction Valerie metaphor grief hospital death

A block to the west of the hill house, the main road drops straight down into the outskirts of Elmira. Opening off the road to the left like a series of steps are short, level sidestreets upon which I often run late at night. In the beginning the running helped me physically handle my grief over Jane’s passing; I cried often as I ran, and tried to comprehend where she is now. I’m a natural runner, but had been unable to do more than a little jogging in recent years because of the pressures of work and of taking care of Jane as she became more and more ill. After her death I could run nightly if I chose to. I find that activity still secret and evocative. The streets are lined with trees arching up to meet overhead; periodically those intersecting patterns of leaves and branches are punctuated by bursts of light from the streetlamps. At certain times the moon follows me along in its phases. The only sounds might be the wind in the treetops and the chug-chug of my shoes on the asphalt. A dog may bark in the distance. When I do it right I float effortlessly along. And amid my tears I finally permitted the obvious to become obvious to me. The following is revised from my entry in my grief notebook.

October 13, 1984. Jane has been dead for thirty-eight days. It has finally come to me that the dark tunnels of those streets I run on, with their mysterious implications of the unknown, and the fear of the dark that such streets can generate, are physically oriented metaphors for the transition Jane has made to another reality. In our terms, the tunnel shapes lead to an unfathomable new reality that is supposedly filled with the light of the universe. That light is symbolized by the streetlights shining through the tunnels every so often, and hinting at that great brilliant reality beyond. This metaphor is particularly apropos at this time, with the trees still carrying their thick growth of leaves — yet later in the fall it may become even more applicable as the leaves drop and the streetlights, poor as they may be in comparison to the light of the universe, can shine through a little more brilliantly.

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] I looked at him fully in the face, running ahead of him, ready to confront him with “What’s the matter with you?” But, instead, I realized that he didn’t see me. [...]

[...] And why hadn’t I run up to see if the house mailbox had a name on it? [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

“You’re just running yourself down when you think thoughts like that,” Rob said, when I told him.

[...] Our living room is very large — opens from the apartment house hallway and runs down to three large bay windows at the other end. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

The next thing she knew she was running across a field, looking for help, not realizing that she was dead. [...]

SDPC Part Two: Chapter 8 breathes Rob dishes Who admit

[...] I could run on for hours, but you would probably catch me. [...]

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

By now, the sessions were running from seventeen to twenty typed, double-spaced pages and they lasted anywhere from two and a half to three hours. [...]