7 results for (book:sdpc AND heading:introduct AND stemmed:return)

SDPC Introduction Valerie metaphor grief hospital death

And I often feel this metaphor return as I step out on the back porch of the hill house and listen to the wind in the treetops to the north.

‘The appearance of the old house stands for our ordinary physical reality — but its high location and closed shutters prevent me from looking inside it, into another reality; the negligee represents my knowledge that Jane is in that new dimension. Our meeting is her message to me that she is well, rejuvenated, with her abilities and personality intact after her death. My reluctance to fully return her hugs is a sign that I’m not yet ready to join her. Her youth also stands for the plasticity of time.

You will join me as I have joined others.
No physical form or physical thought
can express my existence.
The term love, with its message
of caring for another,
is the most important of our
messages in the physical.
Seth Two is to me now what Seth was to you.
I am a step higher but not removed.
Yet, I have changed enough since “my
death” that it is difficult,
at times, to relate to your existence.

The love and the emotions you feel are
the connectives between us.
My love for you has not changed but expanded
in a way you do not comprehend.
Physical needs are for physical beings,
and I understand and know this.
Touch is important at your level.
My new or returned mind loves you more
deeply than in our earth time together,
but it is also much more
understanding of physical need.
When I said, “Be for me as I would
be for thee,” I didn’t mean to limit you.
Be the physical person you need to be,
as you are physical for a limited and
for a purposeful reason.
Enjoy physical reality between others,
for the mind endures and exists
beyond your understanding and existence.
I love you as you were
and as we will be.
Your now is for you to enjoy.
I never judge your actions, and this
I repeat with love and utmost understanding.
Be yourself and in being yourself
you will be for me as I would be for thee.
You do well and I watch you often.
Continue to love physical life
while you are physical.

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

[...] Her voice trailed off, disappeared and returned. [...]

[...] Disquieted, I returned to my apartment.

[...] By the time I returned from the art gallery on those winter afternoons, it was already dark. [...]

[...] Sarah’s father did something for the cobbler, and, in return, he made shoes for the younger brother, and Sarah was in the shop to get them.”

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] That is, do not return it. [...]

And as your dreams originate with you, rise from you, attain a seeming independence and have their ending with you, so do the entity’s personalities arise from him, attain various degrees of independence and return to him while never leaving him for an instant.

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] When she returned to the house she saw her body upon the floor … Her husband remarried seven months later. [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] Not wanting to commit her, the relatives returned her to the apartment, in care of a part-time housekeeper.

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

[...] I was frightened, thinking it might be some kind of an attack then, but it passed quickly and did not return.

[...] Maybe it will return later.

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

During break, my voice returned to normal. [...]