2 results for (book:sdpc AND heading:introduct AND stemmed:respond)
At the same time I knew that Jane had some sort of deep commitment. However, this didn’t stop her from giving me a series of face-to-face hugs, very close, smiling like she does in some old photos of her that I’d found in a file yesterday. I was leery of responding too openly to her advances, though, since I didn’t know what her commitment was. A beautiful arching stone bridge was to my right as we talked and hugged. The lawn extending underneath the bridge was an extremely rich green — glowing and pulsing as though it was alive.
So if I insist that I’ve communicated with Jane at times, then I’m obligated to consider statements from others claiming the same thing. But in ordinary terms, even if my wife’s death has left me more open and vulnerable to psychic possibilities, I still shrink from offering any sort of blanket assurance. (“Yes, I’m convinced that you have reached Jane, just as I have.”) I’m not contradicting myself when I note that perhaps — and I’ve suspected for a long time that ultimately this is correct — it is true that on some far levels of consciousness and communication that we do not (or even cannot) understand at this “time,” each person who is so inclined to do so has at least touched a Jane who responded clearly enough. She will continue to do so. In this view, those elements in such messages that have no meaning for me can be only distortions on the part of the medium or the letter-writer or the poet. I do think that communication among entities, whether they’re physical or nonphysical, is always going on, and from every conceivable angle and in every way. Hardly a new thought, yet grasping it, or even speculating about it, is to touch upon a portion of the mystery of life. (And from where you are, Jane, what do you think of my very cautious approach?)
I first heard from my unseen correspondent, Valerie Wood, not long after Jane had died thirteen months ago. I sent her one of the cards I’d had printed, giving a few details about Jane’s death and stating my determination to carry on with our work. Valerie responded with some poetry relative to Jane’s passing, and my reactions to her death, that I interpreted at once as being very evocative of Jane and me. At the time I didn’t know what to believe about the source of the material, even while I found it reinforcing my own contacts with Jane. Were Valerie’s messages from her own subconscious? From Jane’s world view? From Jane herself?