4 results for (book:sdpc AND heading:introduct AND stemmed:relationship)

SDPC Introduction Valerie metaphor grief hospital death

Considering Rob’s and my relationship — the challenges, joys, hopes, strains and our own personality characteristics. Maybe the whole thing is — reacting to ourselves individually and to the other person — experiencing our own personal reactions and then reacting to them — then reacting to the other person who experiences the same processes in himself. We … creatively keep altering ourselves and our mates. We can’t be ‘perfect’ at the start because the processes include changing events. There’s bound to be some lopsidedness to our growth, as we form psychological ‘art’ throughout our entire lives — or learn to live … artistically. Each person in such a relationship changes constantly in relationship to himself and the other person, until — hopefully? — by death you’ve used the characteristics of your own personality the best you can. Merged them with your mate’s so that between the two of you, you get a new creative mixture in a kind of psychological multiplication … You try different ways of using your own traits, etc.

In more specific terms, I’m organizing this rather short exploration of Jane’s death around these items; a loose chronology surrounding her writing of Seth, Dreams … in 1966-67, and our unsuccessful attempts to sell the book; my acceptance of the survival of the personality after physical death; a waking experience involving my sensing Jane very soon after she had died; a metaphor I created for her death; a dream in which I not only contacted her but gave myself relevant information; another metaphor for Jane’s death; my speculations about communication among entities, whether they’re physical or nonphysical; a letter that could be from the discarnate Jane — one that was sent to me by its recipient, a caring correspondent whom I’ll call Valerie Wood; a note I wrote to Sue Watkins about the death of her mother; some quotations from a published letter of mine; Jane’s notes concerning the relationship we had; and, finally, the poem in which she refers to her nonphysical journeys to come.

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

The entire session ran three hours, and most of it was devoted to the ego and the subconscious and to their relationship to health and illness. [...]

[...] Ever since, we’ve been very aware of the effect our behavior and moods have on our cats and have observed the same reinforcement or lack of it in other people’s relationship with their animals.

[...] He also carried on with his discussion of the ego and health, giving an excellent analysis of the ego’s relationship to the personality as a whole. [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

The session went on as Seth gave Rob some excellent psychological insights into his own behavior, and tied this is with early experience in this life, and with relationships with his present family in past life existences. [...]

Also, Ruburt has experienced and used dissociation in his work, though to a lesser degree, before our communications and knows how to handle itOur relationship will enable you both to deal more adequately with the outside world. [...]

[...] Now, this idea comes close to the relationship between the entity and its personalities. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] However, the inner senses are aware of the body’s own physical data at all times while the outer senses are concerned with the body mainly in its relationship to camouflage environment.