3 results for (book:sdpc AND heading:introduct AND stemmed:reaction)
I first heard from my unseen correspondent, Valerie Wood, not long after Jane had died thirteen months ago. I sent her one of the cards I’d had printed, giving a few details about Jane’s death and stating my determination to carry on with our work. Valerie responded with some poetry relative to Jane’s passing, and my reactions to her death, that I interpreted at once as being very evocative of Jane and me. At the time I didn’t know what to believe about the source of the material, even while I found it reinforcing my own contacts with Jane. Were Valerie’s messages from her own subconscious? From Jane’s world view? From Jane herself?
Considering Rob’s and my relationship — the challenges, joys, hopes, strains and our own personality characteristics. Maybe the whole thing is — reacting to ourselves individually and to the other person — experiencing our own personal reactions and then reacting to them — then reacting to the other person who experiences the same processes in himself. We … creatively keep altering ourselves and our mates. We can’t be ‘perfect’ at the start because the processes include changing events. There’s bound to be some lopsidedness to our growth, as we form psychological ‘art’ throughout our entire lives — or learn to live … artistically. Each person in such a relationship changes constantly in relationship to himself and the other person, until — hopefully? — by death you’ve used the characteristics of your own personality the best you can. Merged them with your mate’s so that between the two of you, you get a new creative mixture in a kind of psychological multiplication … You try different ways of using your own traits, etc.
Camouflage patterns do, of course, also belong to the inner world, since they are formed from the stuff of the universe by mental enzymes, which have a chemical reaction on your plane. The reaction is necessarily a distortion. [...]
Mental enzymes, by the way, have a chemical effect or reaction on your plane, but the effect itself is, of course, distortion. [...]