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SDPC Introduction Valerie metaphor grief hospital death

In more specific terms, I’m organizing this rather short exploration of Jane’s death around these items; a loose chronology surrounding her writing of Seth, Dreams … in 1966-67, and our unsuccessful attempts to sell the book; my acceptance of the survival of the personality after physical death; a waking experience involving my sensing Jane very soon after she had died; a metaphor I created for her death; a dream in which I not only contacted her but gave myself relevant information; another metaphor for Jane’s death; my speculations about communication among entities, whether they’re physical or nonphysical; a letter that could be from the discarnate Jane — one that was sent to me by its recipient, a caring correspondent whom I’ll call Valerie Wood; a note I wrote to Sue Watkins about the death of her mother; some quotations from a published letter of mine; Jane’s notes concerning the relationship we had; and, finally, the poem in which she refers to her nonphysical journeys to come.

Without taking into account here the essences of other life forms, do I think the human personality survives physical death? Considering the loving, passionate “work” that Jane and I engaged in for more than twenty years, of course I do. No other answer makes intuitive or consciously reasonable sense to me. I think it quite psychologically and psychically limiting to believe otherwise, for such beliefs can only impede or postpone our further conscious understanding of the individual and mass realities — the overall “nature” — we’re creating. I think that all of us seek answers, and that our searches are expressed in our very lives.

So if I insist that I’ve communicated with Jane at times, then I’m obligated to consider statements from others claiming the same thing. But in ordinary terms, even if my wife’s death has left me more open and vulnerable to psychic possibilities, I still shrink from offering any sort of blanket assurance. (“Yes, I’m convinced that you have reached Jane, just as I have.”) I’m not contradicting myself when I note that perhaps — and I’ve suspected for a long time that ultimately this is correct — it is true that on some far levels of consciousness and communication that we do not (or even cannot) understand at this “time,” each person who is so inclined to do so has at least touched a Jane who responded clearly enough. She will continue to do so. In this view, those elements in such messages that have no meaning for me can be only distortions on the part of the medium or the letter-writer or the poet. I do think that communication among entities, whether they’re physical or nonphysical, is always going on, and from every conceivable angle and in every way. Hardly a new thought, yet grasping it, or even speculating about it, is to touch upon a portion of the mystery of life. (And from where you are, Jane, what do you think of my very cautious approach?)

Aside from the obvious reassurances Jane is quoted as offering to me, as a physical creature, I could comment extensively upon some of the other points she makes — especially the two I briefly refer to below; the reader may enlarge upon portions of the message also, depending upon what he or she understands of the Seth-Jane philosophy. Jane remarked, “Yet, I have changed enough since ‘my death’ that it is difficult, at times, to relate to your existence.” And, “My love for you has not changed but expanded in a way you do not comprehend.” How interesting these statements are! Does Jane contradict herself in them? No — yet the meanings within them require intuitive exploration and conscious comprehension. They’re very personal observations that at the same time echo that mystery of life I’m always referring to. I was quite aware of those statements and their implied challenges in connection with the ingredients I bring together in the next paragraph.

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

“You’re moving it,” I shouted.
“Hon, that isn’t fair.”
“What a riot.”
[...]

“They’re great tales,” I said.

[...] But we’re going to have to try and check some of this out if it keeps on.”

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

“You’re just running yourself down when you think thoughts like that,” Rob said, when I told him.

[...] But if it’s true, then we’re really involved in something with fantastic potential … highly unique in a way … and that sounds too egotistical. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

“But you’re sure that Seth is … an individual. [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

Rob was all ready to ask, “Well, how come you’re letting us in on the secret?” But he never had a chance to ask the question.

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

“We’re having a storm here tonight.”

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

Now if you’re ready, I have a few words to say about your beautiful, if haphazard, experience with the inner senses the other evening.