5 results for (book:sdpc AND heading:introduct AND stemmed:project)

SDPC Introduction Valerie metaphor grief hospital death

It seems incredible to me that my wife, Jane Roberts, has been dead for more than thirteen months. It’s late October 1985 as I begin this Preface for her Seth, Dreams and Projection of Consciousness. As I have informed many correspondents, Jane died at 2:08 A.M. on Wednesday, September 5, 1984, after spending 504 consecutive days in a hospital in Elmira, N. Y. I was with her when she died. The immediate causes of her death were a combination of protein depletion, osteomyelitis, and soft-tissue infections. These conditions arose out of her long-standing rheumatoid arthritis. I’ll be discussing Jane’s illnesses — her “symptoms” — much more thoroughly in other work. Indeed, I plan to eventually write a full-length biography of her, and am doing research for that project now.

After Jane’s death I became extremely busy. I had to cope with my grief, and one way I chose was to immediately begin keeping elaborate records in and writing essays for a series of “grief notebooks.” I told no one about the notebooks, or the three drawings I had made of Jane as she lay in her bed right after her death. I was obligated to spend many months finishing a Seth book — Dreams, “Evolution,” and Value Fulfillment — that we had started way back in September 1979, long before she went into the hospital; as I had planned to, I resumed work on that project the day after she died. (Jane was cremated the next day, in a process we had agreed upon several years ago.) I also worked upon two other books we collaborated upon after she had been hospitalized. There were many legal matters to attend to, much mail to answer, and more to keep up with.

As soon as I took Jim Young up on his word that I could make whatever statement I want to about Jane’s work, I knew that this Preface would contain relatively little about Seth, Dreams and Projection of Consciousness itself, and I wrote to Jim about this. The book stands perfectly well on its own. These notes, then, will contain material not only about Jane, but my own involvement with her, her work, and her death. I trust that even though physically she’s no longer with me, my wife agrees with my choices, for she helped me learn that the one truly unique thing I have to offer the world is my own creation of it.

How Seth, Dreams … eventually came to be issued by Stillpoint Publishing, how it can even be thought of as a “lost manuscript,” makes a most interesting account that I’ll just outline here. First, though, I remind the reader that Jane spoke in a trance or dissociated state for a discarnate personality who calls himself Seth; by his own definition he’s an “energy personality essence,” no longer focused within physical reality. Last July my agent, Tam Mossman, phoned to ask that I search Jane’s papers for a manuscript he remembers her submitting to him some seventeen years ago, when he had been a young editor just beginning a career with Prentice-Hall. That manuscript is Seth, Dreams and Projection of Consciousness. As soon as he’d reviewed it back then, Tam had asked Jane to do a book on Seth himself. The result? The Seth Material, for which Jane signed a contract in December 1968. The book came out in 1970; and in it she had used certain portions of Seth, Dreams

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

[...] She told Rob that our work with Seth was a lifetime project, that we would publish his manuscripts, and help spread his ideas. [...]

[...] Then these materializations of panic and pain play about the physical body, projected by the ego, and steal the powers of the subconscious mind from their natural constructive tasks.In other words, the ego becomes a tool to disrupt rather than to create.

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] When Ruburt learned about the projected operations, he leapt to the conclusion that this was the meaning of the dream. [...]

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

Again, if you will consider our maze of wires, I will ask you to imagine them filling up everything that is, with your plane and my plane like two small birds nests in the netlike fabric of some gigantic tree … Consider, for example, that these wires are also mobile, constantly trembling and also alive, in that they not only carry the stuff of the universe but are themselves projections of this stuff, and you will see how difficult it is to explain. [...]

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

[...] You tried to switch over and pick up inside data with the outer senses, and then project this inward. [...] This was a projection of your inability and should not be taken as any condition of helplessness existing in the inner world, as I am afraid you interpreted the image.