3 results for (book:sdpc AND heading:introduct AND stemmed:privat)

SDPC Introduction Valerie metaphor grief hospital death

I couldn’t believe it when I realized that my wife had been dead for a week. As I lived and worked in it, our house looked the same as it ever had. In spite of my sorrow, I presented a cheerful face to the world; I talked and joked, and did everything I was supposed to do. I also discovered what must be a very common phenomenon: Those who knew of Jane’s passing became instantly self-conscious when we met. I felt their embarrassment at their damned-up sympathies, and their fear of the same thing happening to them. They didn’t want to hurt me further. Amazingly, I found myself offering comfort to them, to help them surmount such barriers so that we could talk. My visitors reminded me anew of how private an event Jane’s death is for me, yet how universal it is. How many uncounted quadrillions of times has that transference from “life” to “nonlife” taken place just on our planet alone? And I don’t believe that anyone has tried to cope with questions of life and death any more valiantly than Jane did.

SDPC Part Two: Chapter 8 breathes Rob dishes Who admit

[...] A woman’s slumber is, after all, a private and sacred thing. Seth said this with a dry sense of humor, then added, See how prim that last sentence would sound without the lively inflection I managed to give to Ruburt’s voice? [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] Simply put: The addition of a small desk and chair to the bedroom as a more or less permanent fixture for a small private place, accessible when he wants it, for our so-sensitive and sometimes pig-headed Ruburt. [...]