8 results for (book:sdpc AND heading:introduct AND stemmed:present)

SDPC Introduction Valerie metaphor grief hospital death

I couldn’t believe it when I realized that my wife had been dead for a week. As I lived and worked in it, our house looked the same as it ever had. In spite of my sorrow, I presented a cheerful face to the world; I talked and joked, and did everything I was supposed to do. I also discovered what must be a very common phenomenon: Those who knew of Jane’s passing became instantly self-conscious when we met. I felt their embarrassment at their damned-up sympathies, and their fear of the same thing happening to them. They didn’t want to hurt me further. Amazingly, I found myself offering comfort to them, to help them surmount such barriers so that we could talk. My visitors reminded me anew of how private an event Jane’s death is for me, yet how universal it is. How many uncounted quadrillions of times has that transference from “life” to “nonlife” taken place just on our planet alone? And I don’t believe that anyone has tried to cope with questions of life and death any more valiantly than Jane did.

Many people know of Jane’s death by now, and this makes it impossible for me to deal with that event in chronological order within her books. By rights, I shouldn’t be mentioning it sequentially until I publish the two books that Jane and I had finished while she was hospitalized — then it would be all right to announce that she is dead! But for convenience’s sake, in Seth, Dreams … I bring together certain events in chronological time; I feel that its having been written some time ago makes this book the ideal place for me to discuss Jane’s death, to unite the “past,” the “present,” and the “future’; I regard it as being next in line after Dreams, “Evolution,” and Value Fulfillment, which Prentice-Hall, Inc. is publishing in two volumes in the spring and fall of 1986. In Dreams, “Evolution, “… I stuck to Jane’s production of the Seth Material for that work, plus a strict chronological account of our personal lives while she delivered it. I made no leaps in time to write about her physical death, for to me that sad event lay too far in the future — over two and a half years — from the time she finished dictating Dreams, “Evolution,” … in February 1982.

Right now, though, I want to present a message from Valerie that she received upon awakening at 6:30 A.M. on September 6, 1985 — some six weeks ago, in other words, and a year and a day after Jane died.

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] Ruburt was dubious about a session with company present but willing to go along. [...]

I delight in astounding the present personalities of old acquaintances by letting them know we have known each other before. [...]

The session went on as Seth gave Rob some excellent psychological insights into his own behavior, and tied this is with early experience in this life, and with relationships with his present family in past life existences. [...]

[...] If nothing else, I thought the sessions presented a way of making deeply unconscious knowledge available on a consistent basis.

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] I preferred to think of our psychic experiences as emphasizing, instead, the unknown abilities of our present consciousness. [...]

[...] Portions of it deal with camouflage patterns, with the personal past of the present personality, with racial memory. [...]

[...] The camouflage simply is not present. [...]

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

[...] As the personality on your plane actually changes, expands and grows to its potentialities, as it presents at various times varied images to the world (such asif you’ll forgive me for using clichesa smiling face, a sorrowful face), but is still basically the same personality, so on another level does the entity present at various times a varied appearance and speak in a different voice. [...]

[...] But these dream images work for the entity as a whole and serve as a means for the various personalities to communicate; that is, in many cases, the previous personalities communicate with the present one. This is a means of acquainting the present personality with its ‘past’ and also of reminding it of its goals, without disturbing the blatant awake ego.

[...] Through means I cannot explain at this date, I could not speak through Ruburt without you, and a kink in your present personality would quite prevent me from communicating with you alone. [...]

[...] At such times it is very possible for your present personalities to be visited by others such as myself, but only on the bidding of the entity.

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] The unwillingness on Miss Cunningham’s part represented her present personality’s protest against the change that a deeper part of herself deemed necessary and proper.

[...] But beyond this, Miss Cunningham’s present personality has been gently disentangling itself from this plane of realityand she simply did not remember him.

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

The viruses and infections were, of course, present. [...]

[...] Its other abilities lie unused for the time, and latent, but they are present.

SDPC Part Two: Chapter 8 breathes Rob dishes Who admit

[...] I could feel a good-humored vitality, not mine, close and present.

[...] There is no reason, however, why you must be blind to the whole self of your present personality, which is part of the entity, and which can be glimpsed in terms of the breathing and dreaming ‘self of which I have spoken.

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

[...] The friends present had no idea we were involved in any psychic work, and the subject never came up in our conversation. [...]

[...] The inner senses are not accustomed to operating so freely, and this sometimes upsets the all-present ego. [...]