2 results for (book:sdpc AND heading:introduct AND stemmed:porch)

SDPC Introduction Valerie metaphor grief hospital death

Last night was the fifth night in a row that I’ve slept on the screened-in back porch in my new sleeping bag. I didn’t start doing this to avoid the bedroom that Jane and I had shared in the hill house for the last nine years, but because I’d always wanted to and now can. Jane is no longer here for me to be so close to, night and day, to leap to take care of when she needs me. She’d never been able to sleep on the porch — one of the reasons we’d had it added onto the house to begin with.

The night was so warm that I unzipped the bag all the way down to my feet. In the half-dark I spoke aloud to my wife, telling her that I wished she was with me. I fell asleep. Around 4:30 A.M. I woke to the sound of a heavy wind and the feel of much colder air creeping in around my body. The wind chimes hanging in a corner of the porch were clashing together repeatedly. I zipped up the bag as spatters of rain began to blow in on me. The woods come down over the crest of the hill in back of the house, to the north, and with a sound like an ocean tide the wind was racing through their treetops, plunging south past the house and into the valley. Jane and I had always loved that great roar. The trees thrashed in my neighbor’s yard across the road. The whole scene was one of change and energy and mystery.

And I often feel this metaphor return as I step out on the back porch of the hill house and listen to the wind in the treetops to the north.

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] The neighborhood was middle-class, the house gray-framed, two-storied, with a front porch.

[...] Dr. Levine, Miss Cunningham’s doctor, came out on the porch. [...]