2 results for (book:sdpc AND heading:introduct AND stemmed:mother)
I began thinking about and working upon this Introduction for Seth, Dreams … late in October 1985. As I reread the book I learned that Jane devotes considerable portions of several chapters to material involving our friend, Sue Watkins — her adventures with dreams, projections, and probable realities — and also refers to her in other chapters. Sue published her two-volume work, Conversations With Seth, in 1980-81; her father died two years later. I’ve already referred to Laurel Lee Davies, the young lady who now works with me (and is helping especially with proofreading and answering mail). Ever since she arrived from the West Coast in August, Laurel had wanted to meet Sue, who lives in upstate New York. The three of us finally did meet — a few days after Sue’s mother had died on October 19. Two nights earlier, Sue had had a very strong precognitive dream concerning her mother’s death; she plans to discuss that event in the book she’s writing. Laurel made a card for Sue when we heard about the demise of her mother, and left room inside it for me to write a note. Here’s what I spontaneously produced.
There’s little I can say that will offer comfort to you about your mother’s death. On the other hand, I can say everything — for her life encompassed the world, the universe, just as much as yours does, or mine, or Laurel’s. She lives then, as I’m sure you know. From my own experience I can say that she’ll surely communicate with you, expressing new and unfathomable facets and attitudes of the universe — always brilliant, perhaps inexpressible in ordinary terms, yet reaching you and touching in unexpected ways. I think I know my own parents better now than I did when they were ‘living.’ I understand so much more about them now, and with compassion see and feel their strivings and hopes, loves and successes and failures in ways I was not consciously aware of before. I think this kind of heightened knowledge and awareness always comes to those still ‘living’ — but also, that those who have ‘died’ are more alive and adventurous than ever, and at least sometimes in ways we just cannot comprehend. I know this is the case with Jane. So, I think, it will be with you and your mother and father. My love to you and your son.
In more specific terms, I’m organizing this rather short exploration of Jane’s death around these items; a loose chronology surrounding her writing of Seth, Dreams … in 1966-67, and our unsuccessful attempts to sell the book; my acceptance of the survival of the personality after physical death; a waking experience involving my sensing Jane very soon after she had died; a metaphor I created for her death; a dream in which I not only contacted her but gave myself relevant information; another metaphor for Jane’s death; my speculations about communication among entities, whether they’re physical or nonphysical; a letter that could be from the discarnate Jane — one that was sent to me by its recipient, a caring correspondent whom I’ll call Valerie Wood; a note I wrote to Sue Watkins about the death of her mother; some quotations from a published letter of mine; Jane’s notes concerning the relationship we had; and, finally, the poem in which she refers to her nonphysical journeys to come.
Why do we have jobs at a hospital, when Jane was so afraid of them while she was physical? I interpret our employment there, and her joyful mood, to mean that from where she is now she no longer fears hospitals and the medical establishment — that she’s moved beyond that deep apprehension she began to build up around the age of three, as her mother became gradually, and permanently, incapacitated with rheumatoid arthritis. I think that my own much more pleasant earlier experiences with the hospital in Sayre, including my doing free-lance art work for some of its doctors, helped me place the locale for this adventure there, rather than at the hospital in Elmira, where Jane died. In addition, we lived very happily in Sayre for several years following our marriage.