6 results for (book:sdpc AND heading:introduct AND stemmed:mayb)

SDPC Introduction Valerie metaphor grief hospital death

Considering Rob’s and my relationship — the challenges, joys, hopes, strains and our own personality characteristics. Maybe the whole thing is — reacting to ourselves individually and to the other person — experiencing our own personal reactions and then reacting to them — then reacting to the other person who experiences the same processes in himself. We … creatively keep altering ourselves and our mates. We can’t be ‘perfect’ at the start because the processes include changing events. There’s bound to be some lopsidedness to our growth, as we form psychological ‘art’ throughout our entire lives — or learn to live … artistically. Each person in such a relationship changes constantly in relationship to himself and the other person, until — hopefully? — by death you’ve used the characteristics of your own personality the best you can. Merged them with your mate’s so that between the two of you, you get a new creative mixture in a kind of psychological multiplication … You try different ways of using your own traits, etc.

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

Maybe underneath you knew it was true even then,” Rob said.

[...] Black fish, some of them only a few inches long, some much longer, averaging maybe a foot in length. [...]

[...] “Or maybe he wasn’t anyone.”

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

[...] Maybe Seth will know.

[...] Maybe it will return later.

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] “And just maybe, with the Malba episode, I picked up knowledge of her life from the same source.”

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] Maybe I was delirious? [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] “But maybe I’m just too smart for my own good.”