9 results for (book:sdpc AND heading:introduct AND stemmed:live)

SDPC Introduction Valerie metaphor grief hospital death

There’s little I can say that will offer comfort to you about your mother’s death. On the other hand, I can say everything — for her life encompassed the world, the universe, just as much as yours does, or mine, or Laurel’s. She lives then, as I’m sure you know. From my own experience I can say that she’ll surely communicate with you, expressing new and unfathomable facets and attitudes of the universe — always brilliant, perhaps inexpressible in ordinary terms, yet reaching you and touching in unexpected ways. I think I know my own parents better now than I did when they were ‘living.’ I understand so much more about them now, and with compassion see and feel their strivings and hopes, loves and successes and failures in ways I was not consciously aware of before. I think this kind of heightened knowledge and awareness always comes to those still ‘living’ — but also, that those who have ‘died’ are more alive and adventurous than ever, and at least sometimes in ways we just cannot comprehend. I know this is the case with Jane. So, I think, it will be with you and your mother and father. My love to you and your son.

(See the considerable world-view material from Jane and from Seth in Volume 2 of “Unknown” Reality. A world view is the body of an individual’s personalized interpretation of the physical universe; emotions are necessarily involved. “Each person has such a world view,” Seth tells us in Session 718, “whether living or dead in your terms, and that ‘living picture’ exists despite time or space. It can be perceived by others.”)

I wrote Valerie that she was gifted psychically and suggested that she might cautiously proceed with learning more about her abilities, to whatever extent she chose. Valerie is thirty-eight years old, and lives with her husband in a western state; they have two children. She works part time in the field of education. She is developing her gifts through study and practice. During the year she sent me a number of messages “from” and about Jane. Some of them subjectively feel right to me; they effortlessly mirror or echo the way the Jane I lived with for almost thirty years often talked and wrote. In fact, at times I found the similarities between the contents of those messages and my ideas of Jane’s own ambience to be striking.

Considering Rob’s and my relationship — the challenges, joys, hopes, strains and our own personality characteristics. Maybe the whole thing is — reacting to ourselves individually and to the other person — experiencing our own personal reactions and then reacting to them — then reacting to the other person who experiences the same processes in himself. We … creatively keep altering ourselves and our mates. We can’t be ‘perfect’ at the start because the processes include changing events. There’s bound to be some lopsidedness to our growth, as we form psychological ‘art’ throughout our entire lives — or learn to live … artistically. Each person in such a relationship changes constantly in relationship to himself and the other person, until — hopefully? — by death you’ve used the characteristics of your own personality the best you can. Merged them with your mate’s so that between the two of you, you get a new creative mixture in a kind of psychological multiplication … You try different ways of using your own traits, etc.

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

But he was benign and jovial as a bishop
Someone might ask in for an evening of tea,
And when he let me peek out through his eyes,
The familiar living room seemed very strange.

[...] And yet, inside our small, lighted living room, we both felt we were making important inroads, gaining invaluable insights and finding a point of sanity amid a chaotic world.

When he said things like that, I’d get upset, and the familiar living room seemed strange. [...]

“Her parents weren’t there, and Sarah didn’t live there either!”

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

Then, toward the end of the session, Seth made a suggestion about our living quarters. Our living room is very large — opens from the apartment house hallway and runs down to three large bay windows at the other end. [...]

[...] Nor was he a close friend, merely a good acquaintance who lived out of town and visited Elmira only when his business required it, about once every six weeks.

[...] I also felt that in each of us there is a deep connection with “magical” elements of our nature—magical in that they rise like poetic inspiration, filling the mundane world with a special living, personal meaning. [...]

[...] Now, condensed time is the time felt by the entity, while any of its given personalities live on a plane of physical materialization. [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

Our living room seemed twice as cozy that evening, with the warm lights and Willie sleeping on the rug. [...]

[...] Had they lived before? [...]

[...] Just before the sessions began the idea of “The Idiot” came to me as a symbol of inner truth that appears to be complete nonsense to the reasoning mind at times; or at best, highly impractical in normal living. [...]

[...] That is, the lust [for] killing is also a matter that brings dire consequences, regardless of the particular living thing that is killed. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] On January 25th, Rob and I sat in the living room with this in mind. [...]

[...] After his death, the second wife went to California to live with the stepson and his family, a fact that further upset Malba.

[...] As you will see, the resulting experiences began to add another dimension to our lives.

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

[...] She also informed Rob that I could contact the deceased for their living relatives if I wanted to, emphasizing that a good deal of trial and error would be involved as both of us learned to use our psychic abilities.

[...] Seth showed us in the next session that not only animals but all living things had their primary existence in this inner world. [...]

[...] In some ways, its living forces and consciousness are kept to a minimum. [...]

[...] The tree lives through its inner senses, experiencing many sensations and reacting to many stimuli of which you are unaware. [...]

SDPC Part Two: Chapter 8 breathes Rob dishes Who admit

First I looked at various objects in the living room, such as a vase, a painting on the wall, a plant, and so forth, and tried to let my mind’s eye travel around these objects so that I could clearly picture the far side of them.

I always enjoyed the lively art of conversation, said Seth’s mental voice to me.

“Uh, He says that he always enjoyed the lively art of conversation,” I said. [...]

[...] A woman’s slumber is, after all, a private and sacred thing. Seth said this with a dry sense of humor, then added, See how prim that last sentence would sound without the lively inflection I managed to give to Ruburt’s voice? [...]

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

[...] I’m glad you live on such a nice corner. [...]

[...] There are no rules that hold any living thing down to one form or one kind of existence. [...]

They are the living stuff of the universe, even as they form its boundaries and seem to divide it into labyrinthian ways, like the inside of a honeycomb. [...]

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

Originally, psychological time allowed man to live in the inner and outer worlds with relative ease … and man felt much closer to his environment. [...]

[...] Yet, they are vital elements in our lives.

At around 9:15 P.M. I was in the living room talking to Jane about her ESP book. [...]