8 results for (book:sdpc AND heading:introduct AND stemmed:knowledg)

SDPC Introduction Valerie metaphor grief hospital death

‘The appearance of the old house stands for our ordinary physical reality — but its high location and closed shutters prevent me from looking inside it, into another reality; the negligee represents my knowledge that Jane is in that new dimension. Our meeting is her message to me that she is well, rejuvenated, with her abilities and personality intact after her death. My reluctance to fully return her hugs is a sign that I’m not yet ready to join her. Her youth also stands for the plasticity of time.

There’s little I can say that will offer comfort to you about your mother’s death. On the other hand, I can say everything — for her life encompassed the world, the universe, just as much as yours does, or mine, or Laurel’s. She lives then, as I’m sure you know. From my own experience I can say that she’ll surely communicate with you, expressing new and unfathomable facets and attitudes of the universe — always brilliant, perhaps inexpressible in ordinary terms, yet reaching you and touching in unexpected ways. I think I know my own parents better now than I did when they were ‘living.’ I understand so much more about them now, and with compassion see and feel their strivings and hopes, loves and successes and failures in ways I was not consciously aware of before. I think this kind of heightened knowledge and awareness always comes to those still ‘living’ — but also, that those who have ‘died’ are more alive and adventurous than ever, and at least sometimes in ways we just cannot comprehend. I know this is the case with Jane. So, I think, it will be with you and your mother and father. My love to you and your son.

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] “The Seth material could be coming from some deep inner source, an intuitive bank of inner knowledge available to everyone if they only look for it,” I said. “And just maybe, with the Malba episode, I picked up knowledge of her life from the same source.”

The inner senses have an immediate, constant knowledge of the body in a way that the outer senses do not. [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

That night, Seth emphasized only the importance of inner reality and the validity of the inner senses that made nonphysical knowledge available whenever we were ready to admit it. [...]

[...] If nothing else, I thought the sessions presented a way of making deeply unconscious knowledge available on a consistent basis.

[...] But as a rule, you act upon such data without the knowledge of the ordinary conscious self.

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

The midplane contains a conglomeration of fragments … who have not attained sufficient knowledge or manipulability to progress further at this point. [...]

[...] Now we wonder how we managed to function effectively without all the knowledge about ourselves that we’ve received from Seth through the years.

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

[...] But without their previous experience, you would not have entered such a state so quickly, with so little knowledge and preparation. [...]

[...] Planes can and do intermix without the knowledge of the inhabitants. [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] That, to me, would be the worst possibility of all — that I might close off knowledge out of uncertainity. [...]

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

[...] But I have absolutely no interest in guns and no knowledge of them at all, so it was difficult to explain how the pistol was made. [...]

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

[...] Your own innate inner knowledge will aid you. [...]