5 results for (book:sdpc AND heading:introduct AND stemmed:free)

SDPC Introduction Valerie metaphor grief hospital death

Why do we have jobs at a hospital, when Jane was so afraid of them while she was physical? I interpret our employment there, and her joyful mood, to mean that from where she is now she no longer fears hospitals and the medical establishment — that she’s moved beyond that deep apprehension she began to build up around the age of three, as her mother became gradually, and permanently, incapacitated with rheumatoid arthritis. I think that my own much more pleasant earlier experiences with the hospital in Sayre, including my doing free-lance art work for some of its doctors, helped me place the locale for this adventure there, rather than at the hospital in Elmira, where Jane died. In addition, we lived very happily in Sayre for several years following our marriage.

‘My bursting out of the elevator car, which was lifting me toward the house on the roof of the hospital building, and a new reality, is a close thing as I force my way free. I’m delayed by fixing the mechanism; repairing it means I still have things to do on the earth, as does the lady who was with me in the car. My almost waiting too long to get out of the car also stands for my grief for Jane, and for my intense questioning and speculating about ‘where she is’ now. I’m sure that she lives. I want to know more — yet I’m not ready to die now in order to find out. I feel sad, writing this and thinking of her.

‘These days I dream about Jane,’ I wrote in my article for Reality Change, ‘and feel her presence just as much as ever, yet my mourning is inevitably enlightened by new forces and experiences. This is just the way Jane wants it to be; she told me not long before she died that she didn’t want me to spend my life in grief and alone. I agreed with her when she said those things but had little idea of the emotional depths of sadness and yearning that one must face and live with before becoming free enough to turn one’s thoughts outward into the world again.’

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] Not that free will is not involved, because it is. [...]

[...] As you attempt to use your abilities, so does the entity use its abilities, and he organizes his various personalities and, to some extent, directs their activities while still allowing them what you could call free will. [...]

[...] These are, after all, only logical suggestions to make your daily lives more comfortable, and therefore free your energies. [...]

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

[...] I took what he said to heart and found myself opening up, becoming more free and creative. [...]

Nevertheless, lest Ruburt thinks he is getting off scott free, let me remind him that the tree’s bark is quite necessary and cannot be dispensed with. [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] The implied promise of recurring life contrasted drearily with the few things we knew about life while we were in the flesh — much less free of it.

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

Psychological time is so a part of inner reality that even though the inner self is still connected to the body, you are, in the dream framework, free of some very important physical effects. [...]