6 results for (book:sdpc AND heading:introduct AND stemmed:everyth)

SDPC Introduction Valerie metaphor grief hospital death

I couldn’t believe it when I realized that my wife had been dead for a week. As I lived and worked in it, our house looked the same as it ever had. In spite of my sorrow, I presented a cheerful face to the world; I talked and joked, and did everything I was supposed to do. I also discovered what must be a very common phenomenon: Those who knew of Jane’s passing became instantly self-conscious when we met. I felt their embarrassment at their damned-up sympathies, and their fear of the same thing happening to them. They didn’t want to hurt me further. Amazingly, I found myself offering comfort to them, to help them surmount such barriers so that we could talk. My visitors reminded me anew of how private an event Jane’s death is for me, yet how universal it is. How many uncounted quadrillions of times has that transference from “life” to “nonlife” taken place just on our planet alone? And I don’t believe that anyone has tried to cope with questions of life and death any more valiantly than Jane did.

There’s little I can say that will offer comfort to you about your mother’s death. On the other hand, I can say everything — for her life encompassed the world, the universe, just as much as yours does, or mine, or Laurel’s. She lives then, as I’m sure you know. From my own experience I can say that she’ll surely communicate with you, expressing new and unfathomable facets and attitudes of the universe — always brilliant, perhaps inexpressible in ordinary terms, yet reaching you and touching in unexpected ways. I think I know my own parents better now than I did when they were ‘living.’ I understand so much more about them now, and with compassion see and feel their strivings and hopes, loves and successes and failures in ways I was not consciously aware of before. I think this kind of heightened knowledge and awareness always comes to those still ‘living’ — but also, that those who have ‘died’ are more alive and adventurous than ever, and at least sometimes in ways we just cannot comprehend. I know this is the case with Jane. So, I think, it will be with you and your mother and father. My love to you and your son.

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

Again, if you will consider our maze of wires, I will ask you to imagine them filling up everything that is, with your plane and my plane like two small birds nests in the netlike fabric of some gigantic tree … Consider, for example, that these wires are also mobile, constantly trembling and also alive, in that they not only carry the stuff of the universe but are themselves projections of this stuff, and you will see how difficult it is to explain. [...]

I had been seeing everything that I’d been describing, and now the name just appeared in my head. [...]

Yet I seemed to know everything about the gun. [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] For one thing, Seth had only mentioned them briefly; and for another, everything was so real that I took it for granted that I was in my body and as physical as anything else was.

[...] I didn’t have to take everything Seth said on faith alone. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

Everything that she said was of a piece,” Rob told me later. [...]

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

Man’s ego causes him to interpret everything else in light of himself. [...]

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

[...] Fresh snow covered everything. [...]