7 results for (book:sdpc AND heading:introduct AND stemmed:emot)

SDPC Introduction Valerie metaphor grief hospital death

(See the considerable world-view material from Jane and from Seth in Volume 2 of “Unknown” Reality. A world view is the body of an individual’s personalized interpretation of the physical universe; emotions are necessarily involved. “Each person has such a world view,” Seth tells us in Session 718, “whether living or dead in your terms, and that ‘living picture’ exists despite time or space. It can be perceived by others.”)

You will join me as I have joined others.
No physical form or physical thought
can express my existence.
The term love, with its message
of caring for another,
is the most important of our
messages in the physical.
Seth Two is to me now what Seth was to you.
I am a step higher but not removed.
Yet, I have changed enough since “my
death” that it is difficult,
at times, to relate to your existence.

The love and the emotions you feel are
the connectives between us.
My love for you has not changed but expanded
in a way you do not comprehend.
Physical needs are for physical beings,
and I understand and know this.
Touch is important at your level.
My new or returned mind loves you more
deeply than in our earth time together,
but it is also much more
understanding of physical need.
When I said, “Be for me as I would
be for thee,” I didn’t mean to limit you.
Be the physical person you need to be,
as you are physical for a limited and
for a purposeful reason.
Enjoy physical reality between others,
for the mind endures and exists
beyond your understanding and existence.
I love you as you were
and as we will be.
Your now is for you to enjoy.
I never judge your actions, and this
I repeat with love and utmost understanding.
Be yourself and in being yourself
you will be for me as I would be for thee.
You do well and I watch you often.
Continue to love physical life
while you are physical.

Indeed. A commitment is required upon my part in this case: I think that Valerie’s message for me is from Jane. A possible qualification of that belief can be that the material is interwound with data Valerie picked up from Jane’s world view, where Jane wouldn’t have necessarily been involved — only the body of her personalized and emotional experience in physical life. I cannot objectively prove either of those pro-positions. Yet I have my own intuitive proof, because I strongly feel that the contents of Valerie’s message fit very well both the physical and the nonphysical Jane Roberts.

‘These days I dream about Jane,’ I wrote in my article for Reality Change, ‘and feel her presence just as much as ever, yet my mourning is inevitably enlightened by new forces and experiences. This is just the way Jane wants it to be; she told me not long before she died that she didn’t want me to spend my life in grief and alone. I agreed with her when she said those things but had little idea of the emotional depths of sadness and yearning that one must face and live with before becoming free enough to turn one’s thoughts outward into the world again.’

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] I do not want to hurt Ruburt’s feelings, and I have avoided making this statement thus far, but I have been emotionally more involved with you in past existences [than with Ruburt]. [...]

The emotional feeling of this brief statement was alive in the room when I came out of trance. [...]

[...] Several times, flashes of concepts came to me while I was house-cleaning — sudden intrusive patterns of thought accompanied by a feeling of intellectual and emotional illumination. [...]

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

[...] The fact is that the animals caught your emotional contagion and, according to their own abilities, translated it for themselves.

[...] I would like to make it clear that animals do have energy to maintain their own health, but this is reinforced as a rule by the vitality of the human beings to whom they may be emotionally attached. [...]

[...] The pain, while definite, unpleasant and sometimes agonizing, is not of an emotional nature in the same way that you experience pain. [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] I stood at the window and dashed out this poem — far too emotionally unrestrained to be aesthetically a good one but an excellent example of my feelings at the time.

To kill for convenience … or for the sake of killing involves rather dire consequences, and the emotional value behind such killing is often as important as what is killed. [...]

SDPC Part Two: Chapter 8 breathes Rob dishes Who admit

[...] He uses emotional inflections delivering the material that greatly add to the meaning of the words themselves, however, and he may have had this in mind. [...]

[...] Like many other people, I’d distrusted the “inner” self to a considerable degree, believing that it held only repressed primitive emotions and buried, unsavory characteristics. [...]

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

[...] Also, you might visit the state of sorrow and joy almost simultaneously and experience both emotions in heightened form because of the almost immediate contrast. In fact, the analogy of a plane with an emotional state is much more valid than the analogy between a plane and a geographical state, particularly since emotional states take up no room or space.

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

[...] If you had helped tonight, you would not have felt the need to turn your emotions inward against yourself in such a self-destructive manner.’”