“Seth material” search engine (Jane Roberts)

‘The appearance of the old house stands for our ordinary physical reality — but its high location and closed shutters prevent me from looking inside it, into another reality; the negligee represents my knowledge that Jane is in that new dimension. Our meeting is her message to me that she is well, rejuvenated, with her abilities and personality intact after her death. My reluctance to fully return her hugs is a sign that I’m not yet ready to join her. Her youth also stands for the plasticity of time.

Seth went on to explain that the more camouflage (physical dimensions) an art object had, the less its validity to the inner senses.

[...] “Sometimes I feel like an explorer, mapping out paths to an ancient forgotten dimension of reality. [...]

[...] As you will see, the resulting experiences began to add another dimension to our lives.

As far as fifth dimension is concerned, I have said that it is space. [...]

[...] This is what I mean by fifth dimension. [...]

[...] So are the wires that we constructed to make our point about the fifth dimension, but for all practical purposes, we must behave as if the wires were there …

[...] The creative energies build up their thickly-dimensioned pseudo-realities of pain. [...]

[...] Your tree builds up a composite of sensations of this sort, sensing not the physical dimensions of a material object, whatever it is, but the vital psychic formation within and about it.

[...] The personality is not actually layered, of course, but continuing with the necessary analogy, beneath the racial memories you look out upon another dimension of reality with the face of this other self-conscious part of you.

[...] Seth went on to explain that great dimension would be given to the sessions as we progressed. [...]