4 results for (book:sdpc AND heading:introduct AND stemmed:deep)

SDPC Introduction Valerie metaphor grief hospital death

‘Oh, sweetheart, if only you were here with me to see this,’ I said aloud to Jane. And as I talked to her I suddenly found myself crying for her again there in the semi-dark night while the wind seethed and roared. Deep wrenching sobs began in my legs and stomach and rose up through my chest. I tried to keep talking to her, but could not. ‘It must be better where you are,’ I finally gasped, ‘but you should see this. It’s so wonderful …’ And as I spoke I intuitively understood that the motion of the wind was an excellent creative metaphor for the motion of Jane’s soul, that its cool feel upon my face could be the physical version of her caring for me ‘from where she is.’ The storm of my grief eased after a while, but the wind and the light rain continued. I dozed. When I woke half an hour later the wind had diminished a great deal. I felt drained. I went into the kitchen for a glass of water. Was Jane’s soul resting from its earlier great commotion, or had she moved away for the moment while exploring other aspects of her new reality that were perhaps out of range to us earthbound creatures? I crawled back into my bag and slept until dawn.

At the same time I knew that Jane had some sort of deep commitment. However, this didn’t stop her from giving me a series of face-to-face hugs, very close, smiling like she does in some old photos of her that I’d found in a file yesterday. I was leery of responding too openly to her advances, though, since I didn’t know what her commitment was. A beautiful arching stone bridge was to my right as we talked and hugged. The lawn extending underneath the bridge was an extremely rich green — glowing and pulsing as though it was alive.

Why do we have jobs at a hospital, when Jane was so afraid of them while she was physical? I interpret our employment there, and her joyful mood, to mean that from where she is now she no longer fears hospitals and the medical establishment — that she’s moved beyond that deep apprehension she began to build up around the age of three, as her mother became gradually, and permanently, incapacitated with rheumatoid arthritis. I think that my own much more pleasant earlier experiences with the hospital in Sayre, including my doing free-lance art work for some of its doctors, helped me place the locale for this adventure there, rather than at the hospital in Elmira, where Jane died. In addition, we lived very happily in Sayre for several years following our marriage.

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

Now, in a deep trance the subject, though fully aware of what is happening in the trance, may remember nothing of it afterward. The awareness of plant life is also somewhat like that of the subject in deep trance. [...]

[...] However, in other ways, the experiences of the tree are extremely deep, dealing with the inner senses which are … also properties of treedom.

Deep is the sleep
Of the moss and the pebble.
Long is the trance
Of the grass and the meadow.
Footfalls come and footfalls pass,
But no sounds can break
That green-eyed trance.

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] I was in trance, of course, but, knowing him, I can well imagine how he must have stared at me as I strode back and forth speaking in that deep Seth voice and talking to Rob in such a manner. [...]

[...] I also felt that in each of us there is a deep connection with “magical” elements of our nature—magical in that they rise like poetic inspiration, filling the mundane world with a special living, personal meaning. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] “The Seth material could be coming from some deep inner source, an intuitive bank of inner knowledge available to everyone if they only look for it,” I said. [...]