4 results for (book:sdpc AND heading:introduct AND stemmed:dead)

SDPC Introduction Valerie metaphor grief hospital death

It seems incredible to me that my wife, Jane Roberts, has been dead for more than thirteen months. It’s late October 1985 as I begin this Preface for her Seth, Dreams and Projection of Consciousness. As I have informed many correspondents, Jane died at 2:08 A.M. on Wednesday, September 5, 1984, after spending 504 consecutive days in a hospital in Elmira, N. Y. I was with her when she died. The immediate causes of her death were a combination of protein depletion, osteomyelitis, and soft-tissue infections. These conditions arose out of her long-standing rheumatoid arthritis. I’ll be discussing Jane’s illnesses — her “symptoms” — much more thoroughly in other work. Indeed, I plan to eventually write a full-length biography of her, and am doing research for that project now.

I couldn’t believe it when I realized that my wife had been dead for a week. As I lived and worked in it, our house looked the same as it ever had. In spite of my sorrow, I presented a cheerful face to the world; I talked and joked, and did everything I was supposed to do. I also discovered what must be a very common phenomenon: Those who knew of Jane’s passing became instantly self-conscious when we met. I felt their embarrassment at their damned-up sympathies, and their fear of the same thing happening to them. They didn’t want to hurt me further. Amazingly, I found myself offering comfort to them, to help them surmount such barriers so that we could talk. My visitors reminded me anew of how private an event Jane’s death is for me, yet how universal it is. How many uncounted quadrillions of times has that transference from “life” to “nonlife” taken place just on our planet alone? And I don’t believe that anyone has tried to cope with questions of life and death any more valiantly than Jane did.

Many people know of Jane’s death by now, and this makes it impossible for me to deal with that event in chronological order within her books. By rights, I shouldn’t be mentioning it sequentially until I publish the two books that Jane and I had finished while she was hospitalized — then it would be all right to announce that she is dead! But for convenience’s sake, in Seth, Dreams … I bring together certain events in chronological time; I feel that its having been written some time ago makes this book the ideal place for me to discuss Jane’s death, to unite the “past,” the “present,” and the “future’; I regard it as being next in line after Dreams, “Evolution,” and Value Fulfillment, which Prentice-Hall, Inc. is publishing in two volumes in the spring and fall of 1986. In Dreams, “Evolution, “… I stuck to Jane’s production of the Seth Material for that work, plus a strict chronological account of our personal lives while she delivered it. I made no leaps in time to write about her physical death, for to me that sad event lay too far in the future — over two and a half years — from the time she finished dictating Dreams, “Evolution,” … in February 1982.

Now here’s the second of the metaphors I referred to earlier — those intuitive comparisons I searched out as I kept on trying to grasp that Jane is truly, temporally dead. I created this one just three days after having the hospital adventure in consciousness.

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] As we went inside, I stopped dead. [...]

[...] Springtime again — the release of energy, the flowering of a landscape that, by all appearances, had been dead and nearly lifeless only weeks before. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

The next thing she knew she was running across a field, looking for help, not realizing that she was dead. [...]

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

“Well, I certainly don’t want to contact anyone’s dead relatives,” I said angrily.