6 results for (book:sdpc AND heading:introduct AND stemmed:creat)
In more specific terms, I’m organizing this rather short exploration of Jane’s death around these items; a loose chronology surrounding her writing of Seth, Dreams … in 1966-67, and our unsuccessful attempts to sell the book; my acceptance of the survival of the personality after physical death; a waking experience involving my sensing Jane very soon after she had died; a metaphor I created for her death; a dream in which I not only contacted her but gave myself relevant information; another metaphor for Jane’s death; my speculations about communication among entities, whether they’re physical or nonphysical; a letter that could be from the discarnate Jane — one that was sent to me by its recipient, a caring correspondent whom I’ll call Valerie Wood; a note I wrote to Sue Watkins about the death of her mother; some quotations from a published letter of mine; Jane’s notes concerning the relationship we had; and, finally, the poem in which she refers to her nonphysical journeys to come.
Without taking into account here the essences of other life forms, do I think the human personality survives physical death? Considering the loving, passionate “work” that Jane and I engaged in for more than twenty years, of course I do. No other answer makes intuitive or consciously reasonable sense to me. I think it quite psychologically and psychically limiting to believe otherwise, for such beliefs can only impede or postpone our further conscious understanding of the individual and mass realities — the overall “nature” — we’re creating. I think that all of us seek answers, and that our searches are expressed in our very lives.
Along with my conscious contacts with Jane, I created a number of metaphors, or implied comparisons, revolving around her death. I’ll describe one now and work in another one later. These constructs, which are sometimes quite effortless, show how I began to express my longing for my wife very creatively even during a time of great stress. I’ve often become aware of the one to follow; it reminds me of certain speculations and truths that I think will always be with me.
Now here’s the second of the metaphors I referred to earlier — those intuitive comparisons I searched out as I kept on trying to grasp that Jane is truly, temporally dead. I created this one just three days after having the hospital adventure in consciousness.
The elements — those that you now know and those you will create — are camouflages of the basic stuff or vitality which you cannot discover with your outer senses. [...]
[...] For a certain amount of time, according to your condition, they automatically create the patterns of fear that belong to the ego.
[...] Then these materializations of panic and pain play about the physical body, projected by the ego, and steal the powers of the subconscious mind from their natural constructive tasks.… In other words, the ego becomes a tool to disrupt rather than to create.