6 results for (book:sdpc AND heading:introduct AND stemmed:creat)

SDPC Introduction Valerie metaphor grief hospital death

In more specific terms, I’m organizing this rather short exploration of Jane’s death around these items; a loose chronology surrounding her writing of Seth, Dreams … in 1966-67, and our unsuccessful attempts to sell the book; my acceptance of the survival of the personality after physical death; a waking experience involving my sensing Jane very soon after she had died; a metaphor I created for her death; a dream in which I not only contacted her but gave myself relevant information; another metaphor for Jane’s death; my speculations about communication among entities, whether they’re physical or nonphysical; a letter that could be from the discarnate Jane — one that was sent to me by its recipient, a caring correspondent whom I’ll call Valerie Wood; a note I wrote to Sue Watkins about the death of her mother; some quotations from a published letter of mine; Jane’s notes concerning the relationship we had; and, finally, the poem in which she refers to her nonphysical journeys to come.

Without taking into account here the essences of other life forms, do I think the human personality survives physical death? Considering the loving, passionate “work” that Jane and I engaged in for more than twenty years, of course I do. No other answer makes intuitive or consciously reasonable sense to me. I think it quite psychologically and psychically limiting to believe otherwise, for such beliefs can only impede or postpone our further conscious understanding of the individual and mass realities — the overall “nature” — we’re creating. I think that all of us seek answers, and that our searches are expressed in our very lives.

Along with my conscious contacts with Jane, I created a number of metaphors, or implied comparisons, revolving around her death. I’ll describe one now and work in another one later. These constructs, which are sometimes quite effortless, show how I began to express my longing for my wife very creatively even during a time of great stress. I’ve often become aware of the one to follow; it reminds me of certain speculations and truths that I think will always be with me.

Now here’s the second of the metaphors I referred to earlier — those intuitive comparisons I searched out as I kept on trying to grasp that Jane is truly, temporally dead. I created this one just three days after having the hospital adventure in consciousness.

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

The elementsthose that you now know and those you will createare camouflages of the basic stuff or vitality which you cannot discover with your outer senses. [...]

[...] And while they create instruments to deal with smaller and smaller particles, they will see smaller and smaller particles, seemingly without end. [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

Joseph was correct when he spoke of entities creating stages upon which to act out their problems. [...]

[...] They do not realize that the whole thing is self-created, nor should they in the main, since the urgency to solve problems would dissolve.

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

[...] For a certain amount of time, according to your condition, they automatically create the patterns of fear that belong to the ego.

[...] Then these materializations of panic and pain play about the physical body, projected by the ego, and steal the powers of the subconscious mind from their natural constructive tasks.In other words, the ego becomes a tool to disrupt rather than to create.

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

(In an earlier session, Seth said that while on vacation in Maine, we both unwittingly created two imagesversions of ourselvesand then reacted to them. [...]

[...] Mental enzymes create senses on the physical plane in order that they may be recognized and appreciated by the physical being. [...]

SDPC Part Two: Chapter 9 clock sensation Miss Rob twenty

[...] In prehistoric times, mankind evolved the ego to help him deal with camouflage patterns that he had, himself, created. [...]