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SDPC Introduction Valerie metaphor grief hospital death

I may be projecting my own fears here, but I don’t agree with the scientific rejection of all portions of the schemata listed above. The objections don’t feel right to me. They question not only Valerie’s sincerity and performance but my own, as well. I keep thinking about the twenty years of ideas and study that Jane and I put into the Seth Material. Surely my contacts with her, and the work of gifted, dedicated people like Valerie, show us human potential in very challenging ways, hinting at how much we have yet to learn about our individual and collective consciousnesses. And out of my own selfish need and longing for my wife, who is dead, I want people to read her books so that they can understand her great contributions.

Aside from the obvious reassurances Jane is quoted as offering to me, as a physical creature, I could comment extensively upon some of the other points she makes — especially the two I briefly refer to below; the reader may enlarge upon portions of the message also, depending upon what he or she understands of the Seth-Jane philosophy. Jane remarked, “Yet, I have changed enough since ‘my death’ that it is difficult, at times, to relate to your existence.” And, “My love for you has not changed but expanded in a way you do not comprehend.” How interesting these statements are! Does Jane contradict herself in them? No — yet the meanings within them require intuitive exploration and conscious comprehension. They’re very personal observations that at the same time echo that mystery of life I’m always referring to. I was quite aware of those statements and their implied challenges in connection with the ingredients I bring together in the next paragraph.

Seth remarked many times that each person sends out invisible signals of need and desire that are picked up and reacted to by those who have similar challenges. In our own case, Jane and I were always acutely aware of the difficult personal working-out of the interchanges that followed our getting together. Here are her rough notes for September 29, 1976, just as she wrote them in her journal.

Considering Rob’s and my relationship — the challenges, joys, hopes, strains and our own personality characteristics. Maybe the whole thing is — reacting to ourselves individually and to the other person — experiencing our own personal reactions and then reacting to them — then reacting to the other person who experiences the same processes in himself. We … creatively keep altering ourselves and our mates. We can’t be ‘perfect’ at the start because the processes include changing events. There’s bound to be some lopsidedness to our growth, as we form psychological ‘art’ throughout our entire lives — or learn to live … artistically. Each person in such a relationship changes constantly in relationship to himself and the other person, until — hopefully? — by death you’ve used the characteristics of your own personality the best you can. Merged them with your mate’s so that between the two of you, you get a new creative mixture in a kind of psychological multiplication … You try different ways of using your own traits, etc.

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] I have consistently advised contacts with the world at large and advised you both to use your abilities to meet outside challenges. [...]