6 results for (book:sdpc AND heading:introduct AND stemmed:book)
Many people know of Jane’s death by now, and this makes it impossible for me to deal with that event in chronological order within her books. By rights, I shouldn’t be mentioning it sequentially until I publish the two books that Jane and I had finished while she was hospitalized — then it would be all right to announce that she is dead! But for convenience’s sake, in Seth, Dreams … I bring together certain events in chronological time; I feel that its having been written some time ago makes this book the ideal place for me to discuss Jane’s death, to unite the “past,” the “present,” and the “future’; I regard it as being next in line after Dreams, “Evolution,” and Value Fulfillment, which Prentice-Hall, Inc. is publishing in two volumes in the spring and fall of 1986. In Dreams, “Evolution, “… I stuck to Jane’s production of the Seth Material for that work, plus a strict chronological account of our personal lives while she delivered it. I made no leaps in time to write about her physical death, for to me that sad event lay too far in the future — over two and a half years — from the time she finished dictating Dreams, “Evolution,” … in February 1982.
After Jane’s death I became extremely busy. I had to cope with my grief, and one way I chose was to immediately begin keeping elaborate records in and writing essays for a series of “grief notebooks.” I told no one about the notebooks, or the three drawings I had made of Jane as she lay in her bed right after her death. I was obligated to spend many months finishing a Seth book — Dreams, “Evolution,” and Value Fulfillment — that we had started way back in September 1979, long before she went into the hospital; as I had planned to, I resumed work on that project the day after she died. (Jane was cremated the next day, in a process we had agreed upon several years ago.) I also worked upon two other books we collaborated upon after she had been hospitalized. There were many legal matters to attend to, much mail to answer, and more to keep up with.
“To me,” Jim wrote, “it would be a special opportunity for you to make whatever statement you might wish about Jane and her work. It would also be nice for the many readers of Jane’s books to have a chance to hear from her partner, who so beautifully and critically assisted in the birthing of the Seth books.
How Seth, Dreams … eventually came to be issued by Stillpoint Publishing, how it can even be thought of as a “lost manuscript,” makes a most interesting account that I’ll just outline here. First, though, I remind the reader that Jane spoke in a trance or dissociated state for a discarnate personality who calls himself Seth; by his own definition he’s an “energy personality essence,” no longer focused within physical reality. Last July my agent, Tam Mossman, phoned to ask that I search Jane’s papers for a manuscript he remembers her submitting to him some seventeen years ago, when he had been a young editor just beginning a career with Prentice-Hall. That manuscript is Seth, Dreams and Projection of Consciousness. As soon as he’d reviewed it back then, Tam had asked Jane to do a book on Seth himself. The result? The Seth Material, for which Jane signed a contract in December 1968. The book came out in 1970; and in it she had used certain portions of Seth, Dreams …
Because of the Miss Cunningham dream and the “Idea Construction” experience, Rob suggested that I try some experiments in ESP and expansion of consciousness and do a book on the results — negative or positive. Those of you who read my two other books in this field know that the experiments were astonishingly successful and led, through the Ouija board, to our first contact with Seth.
By now, we were also trying other experiments for my book, which I was writing during the mornings. [...] I have quoted parts of it in other books, yet the analogy Seth gave us is such an excellent introduction to the interior universe and to his ideas that it is almost indispensable. [...]
[...] Also, I began a new book.
[...] They didn’t have books, so what good did it do to learn to read?
[...] As I worked at the gallery or at my book or did my house chores, the last session kept coming to mind. [...]
[...] We used the bookcases for the books on psychic phenomena that we were beginning to collect and started some potted philodendron vines between the dowels. [...]
[...] Only now, writing this book, did I recall entertaining them.