8 results for (book:sdpc AND heading:introduct AND stemmed:beyond)

SDPC Introduction Valerie metaphor grief hospital death

Why do we have jobs at a hospital, when Jane was so afraid of them while she was physical? I interpret our employment there, and her joyful mood, to mean that from where she is now she no longer fears hospitals and the medical establishment — that she’s moved beyond that deep apprehension she began to build up around the age of three, as her mother became gradually, and permanently, incapacitated with rheumatoid arthritis. I think that my own much more pleasant earlier experiences with the hospital in Sayre, including my doing free-lance art work for some of its doctors, helped me place the locale for this adventure there, rather than at the hospital in Elmira, where Jane died. In addition, we lived very happily in Sayre for several years following our marriage.

October 13, 1984. Jane has been dead for thirty-eight days. It has finally come to me that the dark tunnels of those streets I run on, with their mysterious implications of the unknown, and the fear of the dark that such streets can generate, are physically oriented metaphors for the transition Jane has made to another reality. In our terms, the tunnel shapes lead to an unfathomable new reality that is supposedly filled with the light of the universe. That light is symbolized by the streetlights shining through the tunnels every so often, and hinting at that great brilliant reality beyond. This metaphor is particularly apropos at this time, with the trees still carrying their thick growth of leaves — yet later in the fall it may become even more applicable as the leaves drop and the streetlights, poor as they may be in comparison to the light of the universe, can shine through a little more brilliantly.

You will join me as I have joined others.
No physical form or physical thought
can express my existence.
The term love, with its message
of caring for another,
is the most important of our
messages in the physical.
Seth Two is to me now what Seth was to you.
I am a step higher but not removed.
Yet, I have changed enough since “my
death” that it is difficult,
at times, to relate to your existence.

The love and the emotions you feel are
the connectives between us.
My love for you has not changed but expanded
in a way you do not comprehend.
Physical needs are for physical beings,
and I understand and know this.
Touch is important at your level.
My new or returned mind loves you more
deeply than in our earth time together,
but it is also much more
understanding of physical need.
When I said, “Be for me as I would
be for thee,” I didn’t mean to limit you.
Be the physical person you need to be,
as you are physical for a limited and
for a purposeful reason.
Enjoy physical reality between others,
for the mind endures and exists
beyond your understanding and existence.
I love you as you were
and as we will be.
Your now is for you to enjoy.
I never judge your actions, and this
I repeat with love and utmost understanding.
Be yourself and in being yourself
you will be for me as I would be for thee.
You do well and I watch you often.
Continue to love physical life
while you are physical.

That vision reminds me of a letter of mine that has just appeared in Reality Change, a magazine its editor is devoting to the Seth Material, and publishing in Austin, Texas. At her request last September, I briefly described my feelings a year after Jane’s death. I mentioned how worthwhile it would be to throughly study the continuous global healing processes that I believe constitute one of the earth’s major forces, so that we could consciously use them to “help our species lead itself into new areas of thought and feeling.” Now I enlarge upon that idea by stating that such processes should be studied amid the earth’s even larger life-and-death cycles — those making up that “flickering gentle glow” my mythical observer would see from space. I think that eventually we’ll regard all life upon our planet — or upon any other — in such terms, that we’ll be led to do so by our own needs and creative curiosity. Beyond that will lie our exploring, as Jane did, the more basic nonphysical nature of reality.

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

[...] My intellect just could not get beyond certain points, and I knew it.

My inner gaze traveled up the hills beyond the village. [...]

[...] There was nothing in the far distance on the left, beyond the feet. [...]

[...] I’d be looking at that main street, and then suddenly I’d be in the hills beyond the village. [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] But beyond that, he is now able in some small way to contact me. [...]

[...] This part, for now, I will call the self-conscious beyond the subconscious. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

The camouflage is necessary at this stage of developmentintricate, complicated, various and beyond the understanding of the outer senses, which are the perceptors of the camouflage itself, peculiarly adapted to see under particular circumstances … It is only the inner senses that will give you any evidence at all of the basic nature of life.

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

[...] They then accept it as a definite rule of nature, never realizing that just beyond their eyesight and just beyond their outer senses, this familiar tamed animal of a law changes appearance completely. [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] But beyond this, Miss Cunningham’s present personality has been gently disentangling itself from this plane of realityand she simply did not remember him.

SDPC Part Two: Chapter 8 breathes Rob dishes Who admit

Who do I share this image with?
What ghost haunts this house?
I smile and reach for a cup of tea
And motions beyond my will begin.
My fingers move smoothly out
And lift the curving spoon.
With just the proper touch
They pick the china saucer up.
Yet I have nothing to do with this.
Who moves the cup?
[...]

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

[...] It was beyond your control at your stage of development then.