3 results for (book:sdpc AND heading:introduct AND stemmed:artist)

SDPC Introduction Valerie metaphor grief hospital death

Considering Rob’s and my relationship — the challenges, joys, hopes, strains and our own personality characteristics. Maybe the whole thing is — reacting to ourselves individually and to the other person — experiencing our own personal reactions and then reacting to them — then reacting to the other person who experiences the same processes in himself. We … creatively keep altering ourselves and our mates. We can’t be ‘perfect’ at the start because the processes include changing events. There’s bound to be some lopsidedness to our growth, as we form psychological ‘art’ throughout our entire lives — or learn to live … artistically. Each person in such a relationship changes constantly in relationship to himself and the other person, until — hopefully? — by death you’ve used the characteristics of your own personality the best you can. Merged them with your mate’s so that between the two of you, you get a new creative mixture in a kind of psychological multiplication … You try different ways of using your own traits, etc.

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

[...] In your case, it enables you to focus your artistic ability along lines necessary to make it effective on your plane. [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

To a lesser degree, you function along these lines in varying roles when you exist simultaneously as a member of a family, a community and a nation and as an artist or writer. [...]