5 results for (book:sdpc AND heading:introduct AND stemmed:aliv)

SDPC Introduction Valerie metaphor grief hospital death

In those terms I have my own proofs of survival, just as Jane had — and as she still does. We always had far too many questions about such matters to be satisfied with the very restrictive “answers” that our religious and secular establishments offer. I cannot believe that in matters of life and death my psyche would be so foolish as to indulge in wish fulfillment, relaying to me only those ideas it “thinks” I want to consciously know. Each time I may feel my own ignorance about even our own physical reality, let alone other realities, I fall back upon my own feelings and beliefs. I have nowhere else to turn, really, nor did Jane. As Seth told us in a number of ways (and to some extent I’m certainly paraphrasing him here), “Never accept a theory that contradicts your own experience.” Jane and I found much better answers for ourselves, even if they were — and are — only approximations of more basic, and perhaps even incomprehensible, truths. My unimpeded, creative psyche intuitively knows that positive answers to its questions exist, that otherwise it wouldn’t bother to ask those questions within nature’s marvelous framework, that nature is alive and, as best we can sensually conceive of it, eternal. My psyche knows that it makes no sense within nature’s context for the human personality to be obliterated upon physical death.

At the same time I knew that Jane had some sort of deep commitment. However, this didn’t stop her from giving me a series of face-to-face hugs, very close, smiling like she does in some old photos of her that I’d found in a file yesterday. I was leery of responding too openly to her advances, though, since I didn’t know what her commitment was. A beautiful arching stone bridge was to my right as we talked and hugged. The lawn extending underneath the bridge was an extremely rich green — glowing and pulsing as though it was alive.

‘The glowing, very beautiful and alive grass also represents Jane’s new reality. The bridge arching over the lawn symbolizes another connective between that universe and my physical one. Jane doesn’t ask me to cross the bridge now. I think that the structure also stands for the ‘psychological bridge’ upon which she met Seth during her sessions with him. (Seth wasn’t in this experience, however.)

There’s little I can say that will offer comfort to you about your mother’s death. On the other hand, I can say everything — for her life encompassed the world, the universe, just as much as yours does, or mine, or Laurel’s. She lives then, as I’m sure you know. From my own experience I can say that she’ll surely communicate with you, expressing new and unfathomable facets and attitudes of the universe — always brilliant, perhaps inexpressible in ordinary terms, yet reaching you and touching in unexpected ways. I think I know my own parents better now than I did when they were ‘living.’ I understand so much more about them now, and with compassion see and feel their strivings and hopes, loves and successes and failures in ways I was not consciously aware of before. I think this kind of heightened knowledge and awareness always comes to those still ‘living’ — but also, that those who have ‘died’ are more alive and adventurous than ever, and at least sometimes in ways we just cannot comprehend. I know this is the case with Jane. So, I think, it will be with you and your mother and father. My love to you and your son.

SDPC Part Two: Chapter 6 tree bark Malba Rob midplane

[...] Through the sessions, the whole world seemed to come alive.

[...] Vegetation was not just alive, but aware. And yet, in a strange way, the world was also in a trance. [...]

SDPC Part Two: Chapter 10 Mark Rob furniture arrangements bookcases

[...] The consciousness of being human was fully developed in the caveman, of course, but the human conception was alive in the fish.

The emotional feeling of this brief statement was alive in the room when I came out of trance. [...]

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] The son is still alive, in California, around the Los Angeles area. [...]

SDPC Part One: Chapter 3 cobbler Sarah village wires bullets

Again, if you will consider our maze of wires, I will ask you to imagine them filling up everything that is, with your plane and my plane like two small birds nests in the netlike fabric of some gigantic tree … Consider, for example, that these wires are also mobile, constantly trembling and also alive, in that they not only carry the stuff of the universe but are themselves projections of this stuff, and you will see how difficult it is to explain. [...]