3 results for (book:sdpc AND heading:introduct AND stemmed:action)

SDPC Introduction Valerie metaphor grief hospital death

You will join me as I have joined others.
No physical form or physical thought
can express my existence.
The term love, with its message
of caring for another,
is the most important of our
messages in the physical.
Seth Two is to me now what Seth was to you.
I am a step higher but not removed.
Yet, I have changed enough since “my
death” that it is difficult,
at times, to relate to your existence.

The love and the emotions you feel are
the connectives between us.
My love for you has not changed but expanded
in a way you do not comprehend.
Physical needs are for physical beings,
and I understand and know this.
Touch is important at your level.
My new or returned mind loves you more
deeply than in our earth time together,
but it is also much more
understanding of physical need.
When I said, “Be for me as I would
be for thee,” I didn’t mean to limit you.
Be the physical person you need to be,
as you are physical for a limited and
for a purposeful reason.
Enjoy physical reality between others,
for the mind endures and exists
beyond your understanding and existence.
I love you as you were
and as we will be.
Your now is for you to enjoy.
I never judge your actions, and this
I repeat with love and utmost understanding.
Be yourself and in being yourself
you will be for me as I would be for thee.
You do well and I watch you often.
Continue to love physical life
while you are physical.

SDPC Part Two: Chapter 5 enzymes plane saucers Rob mental

[...] … On your plane, the action of these mental enzymes appear to be more or less inflexible, static, irreversible and permanent. [...]

What these wires are, then, that seem to divide our planes and appear so differently in one plane than they do in another, is solidified vitality, whose camouflaging action is determined by mental enzymes. [...]

SDPC Part Two: Chapter 11 Cunningham Miss starlings killing Rah

[...] The fact is that the realization can, and often does, come after the play is well under way, and at this point, the camouflage action is so involved that the realization itself appears in the framework of the camouflage and is often indistinguishable from it. [...]