2 results for (book:sdpc AND heading:introduct AND stemmed:unknown)

SDPC Introduction Valerie metaphor grief hospital death

My own imperfect recollection following Tam’s request that I look for it was that Seth, Dreams … was an unfinished collection of records, ideas, and chapters that Jane had struggled with for several years, without selling it. Instead, what I found in a box in the basement was, to my amazement, a completed manuscript — a full book ready to go, one as fresh as it had ever been, and my wife had struggled with it. What emerged as Laurel Davies and I searched Jane’s and my records, including early Seth sessions, was a long story of our doubts and gropings in an area in which we had no guidance except for our own explorations. Seth, Dreams … was rejected by three major publishers while Jane worked on it during 1966-67. She was still an unknown in the field; by mid-1966 she’d had only one small psychic book, How to Develop Your ESP Power, published. Our subject of interest itself was largely denied validity by the social, psychological, and scientific establishments. We were still operating alone, then, even though Jane had been speaking for Seth for about three years. In spite of all of her questions, however, her strong creative vitality — her intuitive insistence upon using her most unusual abilities — kept her focusing ahead, and I helped her as much as I could. I’m still astonished when I think of what Jane was to accomplish in the next few years.

October 13, 1984. Jane has been dead for thirty-eight days. It has finally come to me that the dark tunnels of those streets I run on, with their mysterious implications of the unknown, and the fear of the dark that such streets can generate, are physically oriented metaphors for the transition Jane has made to another reality. In our terms, the tunnel shapes lead to an unfathomable new reality that is supposedly filled with the light of the universe. That light is symbolized by the streetlights shining through the tunnels every so often, and hinting at that great brilliant reality beyond. This metaphor is particularly apropos at this time, with the trees still carrying their thick growth of leaves — yet later in the fall it may become even more applicable as the leaves drop and the streetlights, poor as they may be in comparison to the light of the universe, can shine through a little more brilliantly.

(See the considerable world-view material from Jane and from Seth in Volume 2 ofUnknown” Reality. A world view is the body of an individual’s personalized interpretation of the physical universe; emotions are necessarily involved. “Each person has such a world view,” Seth tells us in Session 718, “whether living or dead in your terms, and that ‘living picture’ exists despite time or space. It can be perceived by others.”)

(But first this note, In Appendix 19 for Volume 2 ofUnknown” Reality, I offer material from Jane and from Seth about that atonal, very distant-sounding Seth Two. I quote myself as writing that “Seth Two exists in relation to Seth in somewhat the same manner that Seth does to Jane, although that analogy shouldn’t be carried very far.”)

SDPC Part Two: Chapter 7 camouflage Malba instruments Decatur senses

[...] I preferred to think of our psychic experiences as emphasizing, instead, the unknown abilities of our present consciousness. [...]

The inner senses are capable of expansion and of focus in a way unknown to the outer ones, and the inner world, of course, is a part of all realities. [...]