“Seth material” search engine (Jane Roberts)

I don’t care for the term “channeling,” since I think it too all-inclusive and already trite. However, I liked both Jim’s ideas of my doing the Preface for Jane’s book, and of publishing a photo of her. And Laurel Lee Davies, the young lady who’s now helping me carry on my publishing activities, at once intuitively picked out from my files the one right photograph of Jane to us for Seth, Dreams … Jane’s father, Delmer Roberts, took the snapshot when she was on vacation with him in Baja, California in 1951. She was twenty-two years old. Jane and I didn’t meet until 1954. That little picture, then, was taken some twelve years before she began “coming through” with the Seth material. Yet, I find in it all of the ingredients that made up the Jane I knew — her great beauty, personality and creativity, her love of manipulating within her physical environment; I see her “steering herself” toward extraordinary accomplishments.

I began thinking about and working upon this Introduction for Seth, Dreams … late in October 1985. As I reread the book I learned that Jane devotes considerable portions of several chapters to material involving our friend, Sue Watkins — her adventures with dreams, projections, and probable realities — and also refers to her in other chapters. Sue published her two-volume work, Conversations With Seth, in 1980-81; her father died two years later. I’ve already referred to Laurel Lee Davies, the young lady who now works with me (and is helping especially with proofreading and answering mail). Ever since she arrived from the West Coast in August, Laurel had wanted to meet Sue, who lives in upstate New York. The three of us finally did meet — a few days after Sue’s mother had died on October 19. Two nights earlier, Sue had had a very strong precognitive dream concerning her mother’s death; she plans to discuss that event in the book she’s writing. Laurel made a card for Sue when we heard about the demise of her mother, and left room inside it for me to write a note. Here’s what I spontaneously produced.