1 result for (book:sdpc AND heading:"part two chapter 7" AND stemmed:vital)
[... 23 paragraphs ...]
The elements — those that you now know and those you will create — are camouflages of the basic stuff or vitality which you cannot discover with your outer senses. Your scientists will find that their tools are no longer adequate. Because man has such a sense of curiosity, scientists will be forced finally to use the inner senses. Otherwise they will be dealing with camouflage only and find themselves in a blind alley — not because their eyes are closed, but because they are not using the right set of eyes.
[... 1 paragraph ...]
Since very often the vitality or stuff of the universe seems as innocuous as air … then look for what you do not see. Explore places that seem empty, for they are full. Look between events. What you see clearly with the outer senses is camouflage. I am not suggesting that you take all this on faith. I am saying that what seems vacant lacks camouflage, and, therefore, if this is explored, it will yield evidence.
[... 3 paragraphs ...]
Your own experience with creativity should help you out here. When you paint a picture, my dear Joseph, you are dealing with a transformation of energy and transformation of camouflage pattern. There is a brief but vital moment when you are dealing with the underlying vitality of which I have spoken.
You are forced to transform this creative energy into another camouflage pattern because of your earthly situation. There is nothing else you can do. But for this moment, you pluck this vitality from the inner senses. Then you transform it into a somewhat different, more evocative, new camouflage pattern that is, nevertheless, more fluent, more fluid than the usual pattern, and gives greater freedom and mobility to the vitality itself. You approach a transmigration of plane.
[... 12 paragraphs ...]
As I told you, mental enzymes transform vitality into the particular camouflage patterns. A chemical imbalance in a physical body will also show itself as a corresponding distortion of sensual data. That is, when the chemical balance is disturbed, the physical world will appear to have changed. For the individual involved, the camouflage actually has changed.
The subconscious is a property of mind and is, to a large degree, independent of camouflage. While part of the subconscious must deal with camouflage, for example, the deeper portions are in direct contact with the basic vitality of the universe. When you or Ruburt wonder if this material comes from your subconscious, you take it for granted that the subconscious is personal, dealing exclusively with matters of your past. You are sometimes willing to concede that perhaps some element of racial memory might enter in.
[... 10 paragraphs ...]
The physical body is a camouflage pattern operating in a larger camouflage pattern. But the body and all camouflage patterns are also transformers of the vital inner stuff of the universe, enabling it to operate under new and various conditions.
[... 2 paragraphs ...]
I am repeating myself, but I want this to be clear. This vital data is sent to the mind by the inner senses. Any information that is important to the body’s contact with outer camouflage is given to the brain.
[... 4 paragraphs ...]
Camouflage patterns do, of course, also belong to the inner world, since they are formed from the stuff of the universe by mental enzymes, which have a chemical reaction on your plane. The reaction is necessarily a distortion. That is, any camouflage is a distortion in the sense that vitality is forced into a particular form. Mental enzymes are actually the property of the inner world, representing the conversion of vitality into camouflage data which is then interpreted by the physical senses. Do you have any questions?
[... 8 paragraphs ...]